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35 of the best films ever made

An article exploring the power of film as an empathy machine and highlighting 35 of the best films ever made.

English

United Kingdom

EntertainmentArts And CultureFilmReviewCinemaMoviesEmpathyFilm CriticismEmotional ExperienceBest Films

Marvel StudiosColumbia Pictures20Th Century Fox

Roger EbertClarisse LoughreySteven SpielbergHarrison FordDouglas SlocombeJohn WilliamsHayao MiyazakiChihiroFrancis Ford CoppolaWalter MurchGene HackmanStanley KubrickJack NicholsonShelley DuvallPhilip KaufmanDonald SutherlandWes AndersonDavid LeanTe LawrenceVittorio De SicaLamberto MaggioraniChen KeigeZhang FengyiLeslie CheungGong LiYasujirō OzuBilly WilderBarbara StanwyckFred MacmurrayTerrence MalickRichard GereBrooke AdamsSam ShepardNestor AlmendrosLinda ManzOrson WellesMarcel CarnéAlfred HitchcockJames StewartGrace KellyClaudette ColbertClark GableFrank CapraSteve JamesShirley MaclaineJack LemmonWim WendersHarry Dean StantonNastassja KinskiRy CooderJulie DelpyEthan HawkeJean-Luc GodardMichel PiccoliBrigitte BardotJack PalanceHumphrey BogartIngrid BergmanGeorges MélièsHoward HawksCary GrantRosalind RussellBen HechtJohn TravoltaBrian De PalmaFernando MeirellesKátia LundMia FarrowBarbara HersheyDianne WiestMichael Ca

What is the overall tone and style of the article?: The article emphasizes the enduring power of film despite competition from other forms of entertainment, particularly in creating shared emotional experiences.
What is the main argument or thesis of the article?: This article discusses the power of film to evoke empathy and its ability to offer escapism, reflection, and exploration of life's possibilities.
What are some of the key examples used to support the article's claims?: The article highlights 35 of the best films ever made, spanning various genres and eras, showcasing the evolution and impact of cinema.

Cognitive Concepts

2/5

Framing Bias

The article frames film as a powerful tool for empathy and emotional experience, emphasizing its positive aspects while largely ignoring potential negative impacts like violence or harmful stereotypes.

1/5

Language Bias

The article's language is largely neutral, though the selection of films could reflect a bias toward Western cinema.

3/5

Bias by Omission

The article focuses predominantly on films directed by and featuring Western filmmakers and actors, potentially overlooking films from other regions and cultures that might demonstrate similar emotional depth and cinematic excellence.

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