4,000-Year-Old Handprint Found on Ancient Egyptian Clay Model

4,000-Year-Old Handprint Found on Ancient Egyptian Clay Model

cnn.com

4,000-Year-Old Handprint Found on Ancient Egyptian Clay Model

A 4,000-year-old handprint was discovered on a clay "soul house" model from an Ancient Egyptian tomb (2055–1650 BCE) in the UK, offering a rare glimpse into the life of the artisan who made it and highlighting the often-overlooked contributions of ancient Egyptian craftspeople.

English
United States
Arts And CultureScienceArchaeologyAncient EgyptArtisansPotteryHandprintFitzwilliam Museum
Cambridge University's Fitzwilliam Museum
Helen Strudwick
What is the significance of the 4,000-year-old handprint discovered on the ancient Egyptian clay model?
A 4,000-year-old handprint, discovered on a clay "soul house" model from an Ancient Egyptian tomb (2055–1650 BCE), offers a rare glimpse into the life of an ancient artisan. The imprint, found beneath the model, was likely made while the clay was still damp, before firing. This discovery provides a unique connection to the individual who crafted the funerary object.
How does this discovery contribute to our understanding of ancient Egyptian artisans and their social standing?
The handprint's discovery highlights the often-overlooked contributions of ancient Egyptian artisans. While royal figures like Tutankhamun are well-known, the lives and social status of craftspeople who produced everyday objects and funerary items remain largely unknown. This find helps bridge that gap, offering a personal touch to the study of ancient Egyptian artifacts.
What future research avenues could be explored based on this discovery to further understand ancient Egyptian artisans and their contributions?
This discovery has the potential to reshape our understanding of ancient Egyptian artisans and their social standing. The handprint's preservation, coupled with the context of its discovery, challenges existing assumptions about the anonymity of ancient craftspeople and the limited understanding of their lives. Future research might focus on similar discoveries to analyze the social standing and working conditions of these artisans.

Cognitive Concepts

2/5

Framing Bias

The narrative focuses on the rarity and excitement of the handprint discovery, framing it as a unique and remarkable find that connects viewers to the ancient artisan. This emphasis, while understandable given the nature of the discovery, might unintentionally downplay the broader context of ancient Egyptian pottery production and the lives of the artisans.

1/5

Language Bias

The language used is largely neutral and descriptive. Terms like "rare and exciting" reflect the enthusiasm of the discovery but don't significantly skew the factual information. The use of quotes from the Egyptologist adds an element of personal engagement without compromising objectivity.

2/5

Bias by Omission

The article focuses heavily on the discovery of the handprint and its significance, but it could benefit from further exploration of the social and economic conditions of ancient Egyptian potters. While the article mentions their low social status, more detail on their lives, working conditions, and societal roles would provide a more complete picture. Additionally, information about the types of clay used, kilns, and pottery-making techniques could enrich the narrative.

1/5

Gender Bias

The article doesn't explicitly mention the gender of the potter, avoiding gendered assumptions. However, using more inclusive language, such as "artisan" instead of potentially gendered terms, would enhance neutrality.

Sustainable Development Goals

Reduced Inequality Positive
Direct Relevance

The discovery and exhibition of the 4,000-year-old handprint on a soul house highlights the often-overlooked contributions of ancient Egyptian artisans. By focusing on the stories of these individuals, the exhibition directly challenges the historical tendency to prioritize narratives of rulers and elites, thereby promoting a more inclusive understanding of the past and reducing historical inequalities in representation. The quote, "While much is known about ancient Egyptian rulers like Tutankhamun, the stories of those who made some of the many artifacts discovered in their tombs is often overlooked," directly supports this.