elpais.com
Angélique Kidjo: Music as a Force for Global Change
Angélique Kidjo, at 65, continues her music career and activism, motivated by a desire for global peace and inspired by her family's values and her belief in music's power to create hope, as evidenced by her recent Royal Albert Hall concert and continued collaborations.
- How have Kidjo's family and upbringing shaped her artistic vision and commitment to social change?
- Kidjo's dedication stems from her upbringing, shaped by a father who brought the world home through music and a mother who instilled the importance of kindness and resilience. Her work, encompassing collaborations with diverse artists and orchestral performances, reflects her belief in the power of music as a metaphor for societal hope.
- What motivates Angélique Kidjo to continue her musical career and activism despite reaching the age of 65?
- Angélique Kidjo, a prominent Beninese singer-songwriter, refuses retirement at 65, driven by a commitment to building a better world for her daughter and confronting global hatred. She views her music as a gift for sharing and improving humanity, fueled by a lifelong curiosity.
- What are the future implications of Kidjo's work, and how does it reflect broader global challenges and opportunities?
- Kidjo's future plans include a tribute album to her mother and continued activism, highlighted by her recent Royal Albert Hall concert celebrating 40 years of music and activism. Her interactions with young people reveal their capacity for positive change and underscore the urgent need to address issues like xenophobia and inequality.
Cognitive Concepts
Framing Bias
The article frames Angélique Kidjo as an almost saintly figure, emphasizing her positive attributes and minimizing any potential shortcomings. The overwhelmingly positive tone and language create a hagiographic portrayal, potentially overshadowing a more balanced assessment of her work and impact.
Language Bias
The article uses highly positive and laudatory language to describe Kidjo ('most important singer', 'maestra', 'saintly figure'). This creates a celebratory tone that might not allow for critical analysis of her work. Examples include 'obras maestras', 'irrefrenable', 'lúcida'. More neutral alternatives could include 'significant works', 'energetic', and 'clear'.
Bias by Omission
The article focuses heavily on Angélique Kidjo's personal life and views, potentially omitting other important perspectives on African music and activism. While her prominence is undeniable, a broader representation of contemporary African artists and activists would enrich the piece. The article also doesn't delve into potential criticisms or controversies surrounding Kidjo's career or activism, limiting a fully nuanced understanding.
False Dichotomy
The article presents a somewhat simplistic view of the world, contrasting 'hate' with 'love, respect, and tolerance.' While these are important values, the piece doesn't explore the complexities of political and social issues, potentially oversimplifying the challenges Kidjo faces in her activism.
Gender Bias
The article focuses on Kidjo's personal life and family relationships without falling into overt gender stereotypes. However, the emphasis on her maternal role and family responsibilities might reinforce traditional gender expectations, albeit subtly.
Sustainable Development Goals
Angélique Kidjo's music and activism promote messages of love, respect, and tolerance, directly countering hate and promoting peace. Her work with UNICEF and her advocacy for children's rights also contribute to building strong institutions that protect vulnerable populations. The quote "Nadie es inmune al odio que se está extendiendo ahora mismo por todas partes, así que, como artista, debo confrontar con el poder y decirle a todo el que quiera escucharme: es hora de que despertemos" highlights her commitment to confronting hate and promoting peace. Her emphasis on education and the importance of listening to young people also fosters peaceful and just societies.