forbes.com
Beautiful Things" Achieves 70 Weeks on Billboard Hot 100
Benson Boone's "Beautiful Things" remains on the Billboard Hot 100 for an unprecedented 70 weeks, tying with SZA's "Snooze" for ninth place among the longest-running hits, exceeding other recent singles from his upcoming album.
- What are the potential future implications of "Beautiful Things" continued chart success for Benson Boone's career trajectory?
- Boone's "Beautiful Things" is poised to surpass SZA's "Snooze" and potentially even Mariah Carey's "All I Want for Christmas Is You," in terms of longevity on the Hot 100. This places it in the conversation of the longest-running hits ever. This demonstrates a unique sustained popularity compared to his other singles, highlighting the impact of a successful debut song in an artist's career trajectory.
- What is the significance of "Beautiful Things" staying on the Billboard Hot 100 for 70 weeks, and what does this say about its impact?
- Benson Boone's "Beautiful Things" maintains its position on the Billboard Hot 100 for a remarkable 70 weeks, surpassing numerous songs and tying with SZA's "Snooze" for the ninth-longest-running hit. This longevity is especially noteworthy given that Boone stopped promoting the track long ago. Its current resurgence, climbing from No. 14 to No. 10, signifies its enduring popularity.
- How does the continued success of "Beautiful Things" compare to Boone's other singles, and what factors might contribute to this difference?
- The continued success of "Beautiful Things" highlights the power of a breakout hit and the sustained interest it can generate, even without continuous promotion. The song's remarkable 70-week run on the Hot 100 places it among an elite group, only nine other songs have achieved this longevity. This is a testament to the quality of the music and its cultural impact.
Cognitive Concepts
Framing Bias
The narrative frames Benson Boone's success overwhelmingly through the lens of "Beautiful Things," emphasizing its exceptional chart run and historical context. This overshadows the promotion of his new singles, making it appear as if his current success is primarily reliant on an older song.
Language Bias
The language used is generally positive and celebratory, focusing on superlatives and positive descriptors like "historic smash," "amazingly," and "loftier position." However, the comparison to other artists' songs could be framed more neutrally. For example, instead of "Amazingly, it lives in a loftier position than..." a more neutral phrasing might be "It currently holds a higher position on the charts than...
Bias by Omission
The article focuses heavily on the success of "Beautiful Things" and its longevity on the Billboard Hot 100, potentially omitting discussion of the overall reception and performance of Boone's other songs and the context of the album's release. While mentioning three other singles, their performance is downplayed in comparison. This might create an incomplete picture of Boone's overall success.
False Dichotomy
The article presents a false dichotomy by primarily focusing on the comparison between "Beautiful Things" and "Lose Control" in terms of chart longevity, neglecting other songs with similar chart runs. It implies a direct competition, even though there is a wider range of songs with extensive chart success.
Gender Bias
The analysis focuses solely on the musical achievements of male artists (Benson Boone, Teddy Swims, The Weeknd), without mentioning any female artists besides SZA and Mariah Carey, and even then, only in comparison to the male artists. This lack of balanced gender representation can leave the impression that chart success is primarily a male domain.