taz.de
Bild Editor Joins Left-Leaning taz, Fostering Unusual Correspondence
Bild-Chefredakteur Kai Diekmann became a taz member in 2009, engaging in a correspondence with taz employee Konny Gellenbeck, and consistently contributing financially despite their opposing political views.
German
Germany
OtherArts And CultureTazGerman MediaPersonal AnecdoteKai DiekmannKonny Gellenbeck
Taz
Konny GellenbeckKai DiekmannPeter Lenk
- What prompted Kai Diekmann, a prominent figure in conservative media, to become a member of the left-leaning taz?
- Kai Diekmann, Bild-Chefredakteur, became a taz (left-wing German newspaper) member in 2009, receiving various premiums. He engaged in a correspondence with Konny Gellenbeck, a taz employee, discussing various events and taz initiatives. Diekmann consistently contributed financially to the taz.
- How did the correspondence between Diekmann and Gellenbeck reflect the differing viewpoints and the taz's fundraising approach?
- Diekmann's membership highlights the taz's unconventional fundraising strategy, attracting even those with opposing political views. The correspondence reveals a complex relationship between the two individuals and the contrasting ideologies they represent.
- What does Diekmann's continued financial support and engagement with the taz signify about the newspaper's influence and outreach?
- This anecdote underscores the taz's ability to cultivate diverse support beyond its typical readership. The unusual nature of Diekmann's membership and his continued contributions suggest a unique fundraising success story and the taz's capacity to bridge ideological divides.
Sustainable Development Goals
Reduced Inequality Positive
Indirect Relevance
The article highlights a unique interaction between the CEO of Bild and the taz newspaper, demonstrating cross-ideological engagement and highlighting the taz's cooperative ownership model. This fosters inclusivity and potentially challenges traditional media power structures, contributing to reduced inequality in media ownership and representation.