forbes.com
Blackpink's Rosé and Lisa Tie for Third Longest Charting K-Pop Solo Hits
Blackpink members Rosé and Lisa's solo singles, "Apt." and "Moonlit Floor," have each spent 16 weeks on the Billboard Pop Airplay chart, tying for the third-longest-charting K-pop solo hits, trailing only Psy's "Gangnam Style" and Jung Kook's "Left and Right.
- How does this achievement compare to other K-pop solo artists' performance on the Pop Airplay chart?
- This achievement highlights the significant global reach of K-pop and the growing popularity of Blackpink's members as solo artists. The longevity of these songs on the Pop Airplay chart indicates sustained listener engagement and radio airplay. This success builds upon the existing popularity of Blackpink as a group.
- What is the significance of Rosé and Lisa's 16-week chart success on the Billboard Pop Airplay list?
- Rosé and Lisa from Blackpink have each charted a solo single on the Billboard Pop Airplay chart for 16 weeks. These songs, "Apt." and "Moonlit Floor," respectively, are now tied for the third-longest charting solo K-pop hits on this chart. This surpasses Jennie's previous record of 15 weeks.
- What are the broader implications of this success for the future of K-pop artists' solo careers on the global stage?
- The continued success of "Apt." and "Moonlit Floor" suggests that both Rosé and Lisa are building successful solo careers outside of Blackpink. Their ability to maintain chart positions against other established artists points to a long-term impact on the global music scene. The potential for further chart success, especially if "Apt." and "Moonlit Floor" surpass "Left and Right's" 17-week record, is substantial.
Cognitive Concepts
Framing Bias
The narrative focuses heavily on the success of Rosé and Lisa, framing their achievement as a significant milestone in K-pop history. The repeated emphasis on their ties with other artists and their position on the charts creates a narrative that highlights their individual accomplishments within the broader context of K-pop. Headlines or subheadings could have been used to emphasize the broader context to create a more balanced perspective.
Language Bias
The language used is largely neutral and descriptive. However, phrases like "runs the show" and "shatter their current tie" might subtly inject a sense of excitement and competition that could be toned down for a more objective tone. Words like "important tie" and "break out" are also emotive and less neutral than is typical of journalistic reporting. Alternatives such as 'significant milestone' and 'surpass' could be employed instead.
Bias by Omission
The article focuses heavily on the achievements of Rosé and Lisa, and their ties with other K-pop artists on the Billboard charts. While it mentions other successful K-pop songs, it doesn't delve into the broader context of the K-pop industry's success on Billboard or explore potential reasons for the success or longevity of these specific songs. The omission of this broader context might limit readers' understanding of the full picture. There is also no mention of the musical qualities of the songs or analysis of why they are so successful.
False Dichotomy
The article presents a somewhat simplistic eitheor framing by focusing primarily on the competition between Rosé and Lisa's songs and other K-pop hits, without exploring other factors that might contribute to chart success. While it notes that 'Apt.' is likely to continue charting, it presents this as almost certain, omitting any potential challenges or unforeseen events that could disrupt its run.
Gender Bias
The article focuses on the female artists, Rosé and Lisa, within the context of a male-dominated music industry. While it notes that they are among the most successful artists in K-pop, this is not directly contrasted with the successes of male K-pop artists. A more balanced analysis would compare their achievements with those of their male counterparts. The article uses gender-neutral language, avoiding gender stereotypes.