forbes.com
Bruno Mars's "Apt." Returns to No. 1 on Billboard Global Excl. U.S. Chart
Bruno Mars's "Apt." reclaims the No. 1 spot on the Billboard Global Excl. U.S. chart for its 18th week, surpassing Mariah Carey's record, marking the fourth time in 2025 he's replaced one of his own songs at the top spot.
- What potential future trends in music chart dominance could Mars's achievement foreshadow?
- Mars's self-replacement at No. 1 signifies a new level of sustained chart success, highlighting the artist's consistent appeal and effective promotion strategies. The pattern suggests a potential future trend of artists strategically releasing multiple hit songs to dominate the charts. This success establishes a new benchmark for chart domination, raising the bar for future artists.
- How do the collaborative aspects of "Apt." and "Die With a Smile" contribute to their chart success?
- This unusual chart dominance reflects the immense global popularity of Mars's music. The alternating No. 1 positions of "Apt." and "Die With a Smile" showcase the sustained appeal of both songs, demonstrating a powerful influence on global music consumption. Mars's achievement highlights the rare instance of an artist simultaneously driving two songs to the top spot.
- What is the significance of Bruno Mars's repeated self-replacement at No. 1 on the Billboard Global Excl. U.S. chart?
- Bruno Mars's songs "Apt." and "Die With a Smile" have repeatedly switched places at the top of the Billboard Global Excl. U.S. chart in 2025, a unique feat. "Apt.", a collaboration with Rosé, currently holds the No. 1 spot for its 18th week, surpassing Mariah Carey's record. This marks the fourth time in 2025 Mars has replaced himself at No. 1.
Cognitive Concepts
Framing Bias
The framing consistently emphasizes Bruno Mars's dominance and the rarity of his achievement. Headlines like "Bruno Mars Ousts Himself From No. 1 — Again" and the repeated emphasis on his self-dethroning create a narrative that centers his accomplishments while downplaying the competitive nature of the chart.
Language Bias
The language used is overwhelmingly positive and celebratory towards Bruno Mars. Phrases like "impressive feat," "historic hit," and "incredible run" create a biased tone. More neutral language could be used, such as "significant achievement," "successful song," and "extended chart run.
Bias by Omission
The article focuses heavily on Bruno Mars's achievements, potentially omitting other artists' successes on the Billboard Global Excl. U.S. chart. While acknowledging his impressive feat, a broader perspective on the chart's overall landscape would enrich the piece.
False Dichotomy
The article presents a false dichotomy by focusing solely on Bruno Mars's dominance, ignoring the potential contributions or successes of other artists. It frames the narrative as a competition between Mars's own songs, overlooking other artists vying for the top spot.
Gender Bias
The article mentions female collaborators Rosé and Lady Gaga, but their contributions are largely framed within the context of Mars's success. Their individual achievements are not highlighted independently.