Carrie Underwood to Perform at Trump's 2025 Inauguration

Carrie Underwood to Perform at Trump's 2025 Inauguration

cbsnews.com

Carrie Underwood to Perform at Trump's 2025 Inauguration

Country music star Carrie Underwood will sing "America the Beautiful" at President-elect Donald Trump's 2025 inauguration, with other artists such as Kid Rock, The Village People, and Lee Greenwood performing at various events throughout the inaugural weekend.

English
United States
PoliticsEntertainmentCelebritiesUsaMusicTrump Inauguration
Trump Inaugural CommitteeAmerican IdolAmerica's Got TalentMormon Tabernacle ChoirLiberty UniversityUnited States Naval Academy
Donald TrumpCarrie UnderwoodChristopher MacchioLee GreenwoodKid RockThe Village PeopleBilly Ray CyrusJason AldeanRascal FlattsParker MccollumGavin DegrawNellyJackie EvanchoLady GagaJennifer LopezGarth BrooksAretha FranklinYo-Yo MaItzhak PerlmanGabriela MonteroAnthony McgillBeyoncéKelly ClarksonJames TaylorBarack ObamaJoe Biden
Who is performing at President Trump's 2025 inauguration, and what songs will they perform?
Carrie Underwood will perform "America the Beautiful" at Trump's 2025 inauguration, accompanied by the Armed Forces Chorus and the United States Naval Academy Glee Club. Other performers include Lee Greenwood, Kid Rock, The Village People, Billy Ray Cyrus, and various choirs and bands at different events throughout the weekend.
How does the musical lineup for the 2025 inauguration compare to previous inaugurations, and what factors might account for any differences?
The 2025 inauguration features a diverse lineup of musical acts, contrasting with the challenges faced in securing performers for the 2017 inauguration. This difference reflects shifts in political climate and artist willingness to participate.
What message does the selection of performers for the 2025 inauguration convey, and what are the potential implications for the broader political landscape?
The inclusion of artists like Kid Rock and The Village People, known for their association with Trump's base, suggests a deliberate strategy to appeal to a specific segment of the population. The broader range of musical genres highlights an attempt to broaden appeal beyond the 2017 event.

Cognitive Concepts

2/5

Framing Bias

The article's framing emphasizes the contrast between the success of securing musical talent for Trump's 2025 inauguration and the struggles faced in 2017. This framing sets up a narrative of triumph over previous setbacks, which could positively influence the reader's perception of the event. The headline and introductory paragraph focus on the success of securing Carrie Underwood as a performer, thus setting a positive tone early on.

1/5

Language Bias

The language used in the article is largely neutral and objective. While descriptive terms are used to describe the artists ('big names,' 'glitzy events'), these are generally considered common and acceptable journalistic language. There is no evidence of loaded or biased language that would significantly affect the reader's perception.

3/5

Bias by Omission

The article focuses heavily on the musical performers at Trump's 2025 inauguration and provides detailed information about the lineup. However, it omits details about the overall political context of the inauguration, the political messages conveyed through the choice of performers, and potential controversies surrounding the selection of specific artists. It also lacks a broader discussion of the significance of musical performances at presidential inaugurations, their role in shaping public perception, and the historical context of such events. While acknowledging that the focus is primarily on the musical performances, the lack of broader political context could limit the reader's ability to form a complete understanding of the event's significance.

2/5

False Dichotomy

The article presents a somewhat false dichotomy by focusing primarily on the musical acts at Trump's inauguration, without offering a comparative analysis of the musical acts at other recent presidential inaugurations or the broader political and cultural contexts of these events. This selective focus could mislead readers into believing that the musical acts are the defining aspect of the event, overlooking the larger political and social implications.