europe.chinadaily.com.cn
China Seeks to Expand Global Reach of Performing Arts
Members of the CPPCC are discussing ways to better introduce Chinese stage performances to foreign audiences, using subtitles and advanced technology like AI and 3D to overcome language barriers, as exemplified by the upcoming international premiere of "White Snake" at Lincoln Center in New York.
- How do the examples of "The Summoning of Dunhuang" and "White Snake" illustrate the broader trends in Chinese cultural exports?
- This push for internationalization connects to broader goals of enhancing China's cultural influence and soft power. Specific examples like "The Summoning of Dunhuang" and "White Snake" highlight the use of technology and adaptation of traditional stories to appeal to international audiences. This strategy also reflects a growing cultural confidence within the Chinese performing arts sector.
- What specific strategies are being proposed to increase the global reach of Chinese stage performances, and what are the immediate implications?
- The Chinese performing arts industry aims to increase international exposure, with experts suggesting the use of subtitles to overcome language barriers and showcase Chinese theater's unique qualities, such as its poetic structure and blend of spaces. A new musical drama, "The Summoning of Dunhuang," incorporating AI and 3D technology, exemplifies this approach. The dance drama "White Snake," premiering at Lincoln Center in July, further demonstrates this initiative.
- What are the key challenges and potential long-term impacts of promoting Chinese stage performances internationally, and how can these be addressed?
- Future success hinges on strengthening international collaborations, improving artist training, and enhancing intellectual property protection. The early warning system and prevention mechanism for copyright infringement suggested by Xu Zhong are crucial for long-term sustainability. The integration of technology, as seen in "The Summoning of Dunhuang," may prove key to attracting and engaging international audiences.
Cognitive Concepts
Framing Bias
The framing is largely positive, highlighting the potential of Chinese performing arts on the global stage and the efforts of key figures to achieve international success. The use of quotes from prominent figures like Tian and Xu reinforces the optimistic outlook. However, potential challenges or criticisms are largely absent, creating a somewhat one-sided narrative. The headline itself, focusing on 'better ways of showcasing', implies a positive trajectory already in motion.
Language Bias
The language used is largely neutral and objective, employing quotes directly from the sources. There is a positive and optimistic tone throughout, reflecting the overall sentiment of the industry professionals interviewed. However, this optimism could be considered a slight bias, as it doesn't fully represent the potential complexities involved in international cultural exchange.
Bias by Omission
The article focuses on the perspectives of Tian Qinxin and Xu Zhong, both prominent figures in the Chinese performing arts industry. While their views are valuable, the analysis lacks perspectives from foreign audiences or critics, potentially omitting insights into what aspects of Chinese performances resonate most with international viewers and what challenges exist in making them accessible. The omission of diverse viewpoints might limit the scope of solutions proposed.
Sustainable Development Goals
The article highlights collaborations between Chinese performing arts institutions and international venues, such as the upcoming premiere of "White Snake" at Lincoln Center in New York. These partnerships facilitate cultural exchange and promote understanding between different cultures. The call for government support in building a long-term collaborative mechanism for international art exchanges further underscores this SDG.