smh.com.au
Choreographer Blends Unexpected Dance Styles in TANTRUM for 6
Harrison Ritchie-Jones's new dance piece, TANTRUM for 6, premiering at Northcote Town Hall Arts Centre on February 6, blends unexpected movement styles like mixed martial arts and figure skating, provoking strong emotional responses from audiences, with some reporting feeling cathartic or wanting to scream.
- How does Ritchie-Jones's background in various dance forms influence his creative process and the resulting style of his works?
- Ritchie-Jones's work challenges conventional contemporary dance by incorporating elements traditionally excluded, such as mixed martial arts and TikTok dance. This approach creates a unique layering effect, where different movement logics overlap, resulting in unexpected and highly skilled performances that engage audiences on an emotional level. The unexpected blend of movements generates laughter and catharsis.
- What unique approach does Harrison Ritchie-Jones employ in his choreography, and what is the audience's emotional response to it?
- Harrison Ritchie-Jones's upcoming dance show, TANTRUM for 6, uses unusual movement forms like mixed martial arts and figure skating, resulting in unpredictable and virtuosic choreography that elicits strong emotional responses from the audience. Audience members reported feeling compelled to scream after viewing a short version, a reaction the choreographer considers high praise.
- What are the potential societal implications of Ritchie-Jones's work in challenging the norms of emotional expression in contemporary dance?
- TANTRUM for 6 explores the taboo around expressing strong emotions like frustration and anger. By giving his dancers permission to fully embody these feelings, Ritchie-Jones aims to encourage a similar release in his audience. This innovative approach suggests a future trend of contemporary dance that prioritizes emotional authenticity and catharsis over strict technical precision.
Cognitive Concepts
Framing Bias
The framing is overwhelmingly positive, highlighting the choreographer's unique approach and the unusual audience responses as a testament to his artistic vision. The article emphasizes the innovative and playful aspects of his work. While this presents a compelling narrative, it may not fully represent potential criticisms or more nuanced reactions.
Language Bias
The language used is largely positive and enthusiastic, using words like "absurdity", "high-camp", "strange", and "epic", which contribute to a celebratory tone. While descriptive, these words are not necessarily loaded and provide vivid imagery. However, the consistently positive descriptions could be perceived as biased.
Bias by Omission
The article focuses heavily on the choreographer's creative process and artistic choices, potentially omitting critical reviews or audience reactions beyond the anecdote about wanting to "scream". While this might be a limitation of scope, it could lead to an incomplete picture of the reception of his work.
Sustainable Development Goals
The article highlights the choreographer's unconventional approach to dance, drawing inspiration from diverse sources like mixed martial arts, figure skating, and even TikTok. This eclectic approach fosters creativity and innovation in the arts, enriching the educational experience and promoting a broader understanding of movement and expression. The choreographer's journey, from formal ballet training to self-directed choreographic work, also exemplifies the value of diverse learning pathways and the importance of pursuing one's passion.