theguardian.com
Circa's "Wolf": A Masterclass in Acrobatic Arts
Circa's Wolf", a one-hour acrobatic show at the Edinburgh Fringe, features a troupe of seven acrobats who defy gravity and gender norms with impressive human towers, daring aerial straps routines, and unique interactions, demonstrating the company's 20 years of mastery in stylish circus performance.
- What makes Circa's "Wolf" stand out among other acrobatic shows at the Edinburgh Fringe?
- Circa's Wolf", a show at the Edinburgh Fringe, opens with a human tower of seven acrobats, showcasing the troupe's exceptional skills and 20 years of experience. The performance features athletic feats, including impressive balances and aerial straps routines, defying gravity and gender norms.
- How does the show blend athleticism with artistic expression, creating a unique performance?
- The show's success stems from Circa's mastery of stylish choreography, combining athleticism with atmospheric elements. The performance challenges traditional circus expectations, integrating animalistic instincts with sleek costumes and captivating interactions, creating a unique and entertaining experience.
- What are the potential future implications of Circa's innovative approach to circus performance on the acrobatic arts?
- Circa's "Wolf" pushes boundaries within the acrobatic arts, demonstrating innovation in human-tower balancing and aerial straps routines. The show's edgy energy and unique approach to performance, defying stereotypes and creating exciting visual effects, set a new standard for circus acts.
Cognitive Concepts
Framing Bias
The review is overwhelmingly positive and frames Circa's performance as exceptional. The opening sentence immediately highlights a daring feat, setting a positive tone. The language throughout emphasizes the skill and athleticism of the performers, creating a favorable impression. While acknowledging a slight plateau in energy toward the end, this is quickly overshadowed by the overall enthusiastic praise.
Language Bias
The review uses highly positive and evocative language ("awesome," "super-slick," "seriously sexy") to describe the performance. While this creates an engaging and enthusiastic tone, it also lacks some objectivity. Phrases like "impressive" could replace "seriously sexy" for a more neutral approach.
Bias by Omission
The review focuses heavily on the performance aspects and artistic merit of the show, potentially omitting critical discussion of the show's accessibility, ticketing, or the broader context of the Edinburgh Fringe festival. It doesn't mention audience reaction beyond implying enjoyment.
Gender Bias
The review briefly notes a female performer defying "gender norms," which could be seen as a positive framing of gender representation. However, it primarily focuses on the overall skill and athleticism of the performers without emphasizing gender beyond this one instance. More detail on the gender balance within the troupe and roles would provide a fuller picture.
Sustainable Development Goals
The article highlights Circa, a circus troupe that has been performing for 20 years, showcasing the development of skills and artistry over time. This demonstrates the potential of sustained dedication to a craft, aligning with the development of skills and expertise promoted by quality education.