Currentzis Conducts Mahler and Schwartz

Currentzis Conducts Mahler and Schwartz

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Currentzis Conducts Mahler and Schwartz

A review of a concert featuring Mahler's Symphony No. 5 and a new work by Jay Schwartz, highlighting Theodore Currentzis' conducting and the Utopia orchestra's technical prowess.

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SportsEntertainmentReviewPerformanceConcertClassical MusicOrchestra
Utopia Orchestra
Gustav MahlerJay SchwartzTheodore CurrentzisSchubertAlma Mahler
What pieces of music were performed at the concert?
The concert featured Mahler's Symphony No. 5 and Jay Schwartz's "Pasacaglia - Music for Orchestra IX," conducted by Theodore Currentzis with his Utopia orchestra.
What is notable about Jay Schwartz's "Pasacaglia" piece?
Schwartz's piece, written specifically for Currentzis and Utopia, premiered in Berlin shortly before its Athens performance. It's based on Schubert's "Eise die Ruhe," using seven musical measures as a starting point and developing through variations.
What were the reviewer's overall impressions of Utopia's performance?
The review praises Utopia's technical skill and discipline, highlighting their ability to achieve a wide range of dynamics, from near silence to explosive crescendos. However, it questions whether this precision sometimes overshadows the emotional depth of the compositions.
What criticism was leveled at the performance of Mahler's "Adagietto"?
The performance of Mahler's "Adagietto" (fourth movement) was criticized for its overly polished, emotionless delivery. The orchestra, while technically proficient, lacked the tenderness and sentiment the piece requires.
How did the reviewer characterize Currentzis' interpretation of the Mahler symphony?
Currentzis' interpretation emphasized his own style over the composer's intent in both the Mahler and Schwartz pieces. The Mahler performance was characterized by overwhelming intensity, while the Schubert-inspired piece was very controlled and precise.