smh.com.au
Du Maurier's Works See Resurgence with New Stage Adaptations
Melbourne theaters will stage adaptations of Daphne du Maurier's "Rebecca" and "The Birds," highlighting the author's enduring appeal and showcasing her evocative writing style, which blends romance, mystery, and the uncanny.
- What underlying themes in du Maurier's writing contribute to their enduring appeal, and how do these themes reflect broader societal concerns?
- Du Maurier's legacy extends beyond her popular appeal; her works are being reassessed as sophisticated explorations of gender and the psychological impact of the uncanny. The current adaptations suggest a continued growth in recognition of her literary merit, moving beyond her association with Hitchcock's film versions.
- What is the significance of the renewed interest in Daphne du Maurier's works, and what impact will the upcoming theatrical adaptations have on her legacy?
- Melbourne Theatre Company (MTC) will stage an adaptation of Daphne du Maurier's "Rebecca," while Malthouse Theatre will adapt her short story "The Birds." Du Maurier, Britain's highest-earning female author in the 1950s, is experiencing a resurgence of interest, with her works being recognized for their sophisticated themes and evocative language.
- How do the upcoming stage adaptations of "Rebecca" and "The Birds" compare to Alfred Hitchcock's film versions, and what aspects of du Maurier's writing are emphasized?
- The renewed interest in du Maurier's works stems from their enduring relevance, exploring themes of anxiety, paranoia, and the fragility of understanding reality, which resonate with modern audiences. Adaptations for stage and screen highlight the evocative power of her writing, particularly its ability to create atmosphere and explore the female experience.
Cognitive Concepts
Framing Bias
The framing is largely positive, emphasizing the enduring appeal and artistic merit of du Maurier's work. The article highlights the excitement surrounding the upcoming stage adaptations, and uses quotes from directors and actors to build anticipation. This positive framing could overshadow any potential criticisms of du Maurier's writing or its limitations.
Language Bias
The language used is largely positive and appreciative. Words like "haunting," "powerful," "beautiful," and "thrilling" are used to describe du Maurier's work. While these words are evocative, they lean towards positive connotations and could be considered subtly biased. More neutral alternatives could include words like 'intriguing', 'effective', 'dark', and 'suspenseful'.
Bias by Omission
The article focuses heavily on du Maurier's adaptations for film and theatre, and the opinions of those involved in these productions. While it mentions her life and other works, there's limited exploration of critical responses to her novels outside of the context of the adaptations. This omission could leave the reader with an incomplete understanding of du Maurier's overall literary impact and critical reception.
Gender Bias
The article acknowledges du Maurier's status as Britain's highest-earning female author in the 1950s and discusses her experiences as a woman writer in a nuanced manner. While it mentions the gendered experience explored in her work, it doesn't focus excessively on her gender or stereotype her based on it. The article maintains a balanced perspective.
Sustainable Development Goals
The article highlights the enduring popularity and continued adaptation of Daphne du Maurier's works, suggesting their contribution to literary education and cultural understanding. The discussion of her writing style and thematic concerns enriches literary studies and critical analysis.