nrc.nl
Film Normalizes Menstruation, Reflecting Cultural Shift
The Good One" shows a teenage girl's menstruation as a normal event, contrasting with past films that often depicted it with shame or disgust; this shift reflects a broader societal change towards more realistic and respectful representation of women.
- How has the portrayal of menstruation in film evolved, and what broader cultural shifts does this reflect?
- The film "The Good One" portrays menstruation as a normal part of life, contrasting with past depictions often associating it with shame or disgust. This shift reflects a broader cultural change towards more realistic and respectful representation of women's experiences.
- What are the varying ways in which menstruation has been depicted in film, and what are the underlying reasons for these differences?
- The increasing inclusion of menstruation in films, from comedic to dramatic contexts, demonstrates a growing acceptance of female bodily functions. This contrasts sharply with earlier portrayals which frequently used menstruation to symbolize female coming-of-age anxieties or as a source of humor or horror.
- What are the potential future implications of normalizing menstruation in film for broader societal views on female bodies and experiences?
- Future film depictions of menstruation will likely continue to normalize its portrayal, potentially exploring diverse cultural perspectives and individual experiences. This evolution suggests a move towards more authentic representations of women's lives, influencing broader societal attitudes.
Cognitive Concepts
Framing Bias
The author frames the discussion around a positive shift in the representation of menstruation in film, highlighting the progress made in recent years. This framing is understandable, given the focus on the evolution of on-screen portrayals. However, this positive framing might overshadow any lingering issues or complexities related to the topic. The selection of films discussed seems to support the narrative of positive change. A more balanced approach might include examples that contradict this narrative.
Language Bias
The language used is generally neutral and descriptive, avoiding overtly loaded terms. However, words like "theatrical walging" (theatrical disgust) and descriptions of certain scenes as "sinister" might subtly influence the reader's perception. While the author strives for objectivity, some subjective interpretations are present, which could be improved by using more neutral and less emotionally charged language.
Bias by Omission
The analysis focuses heavily on the portrayal of menstruation in film, but omits discussion of broader societal attitudes and influences beyond film representation. While the author mentions the impact of popular culture and the current zeitgeist, a deeper exploration of these factors and their intersection with menstrual representation would enrich the analysis. The lack of discussion on the potential influence of marketing or media campaigns promoting certain products related to menstruation is also a notable omission.
False Dichotomy
The article presents a somewhat simplistic dichotomy between past negative portrayals of menstruation in film and current more positive or neutral representations. While this contrast is valid, the analysis could benefit from acknowledging the nuances within both categories. Not all past portrayals were necessarily negative, and not all current portrayals are entirely free of bias or problematic elements. The author does touch on the diverse range of portrayals, but a more detailed exploration of this spectrum would be beneficial.
Gender Bias
The analysis primarily focuses on female experiences of menstruation, which is appropriate given the topic. However, the perspectives of males and individuals outside the gender binary are absent. Including these perspectives would provide a more complete and inclusive understanding of societal attitudes towards menstruation. The absence of male perspectives limits the scope of the analysis regarding the influence of societal gender roles and expectations on the portrayal of menstruation in film.
Sustainable Development Goals
The article discusses the evolving portrayal of menstruation in film, moving from depictions of shame and disgust to more normalized and even humorous representations. This shift reflects a broader societal progress towards challenging gender stereotypes and promoting a more open and accepting attitude towards women's bodies and experiences. The examples cited showcase how menstrual experiences are increasingly integrated into narratives without being the sole focus or cause of shame, thereby contributing positively to reducing stigma and promoting better understanding of women's health.