forbes.com
"Flowers," "A Bar Song (Tipsy)" Tie for Second-Longest No. 1 Radio Hit
Miley Cyrus's "Flowers" and Shaboozey's "A Bar Song (Tipsy)" tied for second place on Billboard's Radio Songs chart, each holding the No. 1 spot for 18 weeks, behind only The Weeknd's "Blinding Lights" (26 weeks).
- How did each song's genre and artist profile influence its chart success, considering their different levels of prior recognition?
- Both songs achieved remarkable success, demonstrating the power of cross-genre appeal ("A Bar Song (Tipsy)") and established artist power ("Flowers"). Their extended chart dominance reflects sustained radio play and audience engagement, exceeding typical hit song lifespans. The tie highlights the evolving landscape of popular music.
- What are the significant implications of "Flowers" and "A Bar Song (Tipsy)" tying for second place on Billboard's Radio Songs chart?
- "Flowers" by Miley Cyrus and "A Bar Song (Tipsy)" by Shaboozey tied for the second-longest-running No. 1 hits on Billboard's Radio Songs chart with 18 weeks each. This matches the record previously held by "Iris" by the Goo Goo Dolls (1998). Only The Weeknd's "Blinding Lights" has a longer run at the top, with 26 weeks.
- What does the success of these two songs, particularly Shaboozey's rapid ascent, suggest about the future of music discovery and radio airplay's role in wider success?
- Shaboozey's rapid rise, from obscurity to a record-breaking hit in months, signifies potential shifts in artist discovery and radio programming. The success of both songs during a period of increased streaming dominance suggests radio airplay continues to be a powerful promotional tool, impacting wider success, and points to the growing importance of cross-genre hits.
Cognitive Concepts
Framing Bias
The article frames the success of "A Bar Song (Tipsy)" as a significant achievement, comparable to Miley Cyrus's "Flowers", emphasizing the unexpected rise of Shaboozey. This framing highlights the underdog story, potentially overshadowing other aspects of the song's success or the overall landscape of radio hits.
Language Bias
The language used is largely neutral and descriptive. Words like "smash," "blockbuster," and "behemoth" are used to describe the songs, but this is done in a way that conveys their popularity without being overtly biased.
Bias by Omission
The article focuses heavily on the success of Miley Cyrus and Shaboozey's songs, but omits discussion of other artists or songs that may have had similar chart performance or longevity. This omission limits a complete understanding of the overall trends in radio song popularity.