theglobeandmail.com
Havoc" Premieres on Netflix After Three-Year Production Delay
Gareth Evans's "Havoc," a Netflix film starring Tom Hardy and Timothy Olyphant, premiered this week after a three-year production delay caused by scheduling conflicts and industry strikes; the film features intense action sequences using a combination of practical and visual effects.
- What were the primary production challenges for "Havoc," and how did they impact the film's release and overall quality?
- Havoc," Gareth Evans's new film, premiered on Netflix this week after a three-year production delay due to scheduling conflicts and industry strikes. The film, a violent thriller featuring Tom Hardy and Timothy Olyphant, rivals Evans's previous work, "The Raid," in terms of action and body count. Production delays, while frustrating, allowed Evans time to refine the film.
- How did Gareth Evans balance practical effects and digital VFX in "Havoc," and what was his rationale behind this approach?
- The film's production spanned three years, highlighting challenges in coordinating a large ensemble cast and navigating industry strikes. Evans's use of both practical effects (e.g., 30,000 rounds fired) and VFX demonstrates a balanced approach to action filmmaking. The extensive use of practical effects, including squibs, suggests a commitment to creating realistic and visceral fight scenes, further enhancing the film's intensity.
- What does the addition of a stunt category to the Oscars signify for the future of action filmmaking, and what are the potential implications of this recognition?
- The inclusion of a dedicated stunt category in the 2027 Oscars reflects a growing appreciation for the skill and risk involved in action filmmaking. Evans's comments suggest a need for further subdivisions within the category to account for the nuanced aspects of stunt work, such as fight choreography, pyrotechnics, and driving. This suggests future developments in recognizing specific contributions to action sequences.
Cognitive Concepts
Framing Bias
The article frames Gareth Evans's career and filmmaking process as the central narrative. While this provides insight into his creative journey, it overshadows critical evaluation of "Havoc." The emphasis on production challenges and behind-the-scenes details might diminish the film's artistic merits in the reader's perception.
Language Bias
The language used is largely neutral and descriptive. Words like "magnificent" and "brutal" are subjective but used to describe action elements which is reasonable in context, and doesn't introduce a biased opinion of the film's quality. Overall the tone is one of positive reporting.
Bias by Omission
The article focuses heavily on the director's experience and the making of the film, neglecting critical analysis of the film itself. There is no mention of plot details, critical reception, or thematic elements beyond brief descriptions. This omission prevents a full understanding of the movie's merit and impact.
Sustainable Development Goals
The film portrays a corrupt system and the struggles of those within it, indirectly highlighting systemic inequalities and the need for justice and fairness. While not explicitly focused on inequality, the themes of corruption and power dynamics resonate with the SDG goal of reducing inequalities.