smh.com.au
Indie Rock's Rising Star: MJ Lenderman's "Manning Fireworks" and Extensive Tour
MJ Lenderman, a 26-year-old indie rock artist from Asheville, North Carolina, released his critically acclaimed album "Manning Fireworks" in 2023, is on a massive tour until September 2024, and collaborated with Waxahatchee on her album "Tigers Blood.
- How does Lenderman's songwriting process contribute to the themes and style of his music?
- Lenderman's success is rooted in his unique songwriting process, which involves writing 20 lines of lyrics daily, building a bank of ideas that he later connects to create songs. His music often features flawed male characters and incorporates pop culture references, reflecting contemporary societal issues. He also collaborated with Waxahatchee on her album "Tigers Blood," contributing vocals and guitar.
- What is the significance of MJ Lenderman's "Manning Fireworks" album and his current tour?
- MJ Lenderman, a 26-year-old indie rock musician, has released his fourth album, "Manning Fireworks," which received widespread critical acclaim and landed on numerous top 10 lists. He is currently on an extensive tour that spans from October 2023 to September 2024, including dates in Australia in March 2024.
- What are the potential future implications of Lenderman's blend of personal experiences and social commentary in his music?
- Lenderman's introspective songwriting, blending humor and pathos, positions him as a significant voice in indie rock. His exploration of toxic masculinity and societal trends suggests a continued focus on relevant social commentary in his future work. His collaborative spirit, evident in his work with Waxahatchee and Wednesday, suggests a future where he may further blend his talents with other artists.
Cognitive Concepts
Framing Bias
The framing is largely positive, presenting Lenderman as a talented and relatable musician. The headline and opening anecdote create a casual, approachable image, potentially appealing to a wider audience. However, this positive framing might overshadow potential criticisms or complexities in his work or persona.
Language Bias
The language used is largely neutral and descriptive, employing casual conversational tones appropriate to the interview format. However, phrases like "the next great hope for indie rock" are inherently subjective and hype-laden, bordering on hyperbole.
Bias by Omission
The article focuses heavily on Lenderman's musical career and personal life, but omits discussion of his broader influences or artistic inspirations beyond specific names dropped. While this might be due to space constraints, it limits a full understanding of his artistic development and context.
Gender Bias
The article mentions Lenderman's collaborations with female musicians (Waxahatchee and Karly Hartzman) but doesn't delve into gender dynamics within those relationships or the broader indie rock scene. There's no overt gender bias, but a more balanced discussion of gender representation within his musical influences and collaborations would be beneficial.