theguardian.com
Joy Crookes's Brits Week Concert Showcases New Music and Political Themes
Joy Crookes, a 26-year-old British singer, performed at London's Islington Assembly Hall on March 7th, 2024, for Brits Week for War Child, showcasing new songs alongside hits from her debut album, Skin, raising money for children affected by war.
- How did Crookes's performance blend personal experiences with broader political and social commentary?
- Crookes's performance blended soul revivalism with dub, synth-pop, hip-hop, and 2010s pop balladry, reflecting her multi-cultural background. Her music often features political themes such as gentrification, racism, and misogyny, contrasting with classic soul's mournful tone by offering empowerment and independence. The concert raised money for War Child, aligning her music with political action.
- What were the main themes and musical styles explored in Joy Crookes's Islington Assembly Hall concert?
- Joy Crookes, a 26-year-old South London singer, performed at Islington Assembly Hall as part of Brits Week for War Child. The concert showcased songs from her debut album, Skin, and unreleased material, highlighting themes of anxiety, beauty standards, and toxic relationships. The show also included a new song about unrealistic beauty standards, inspired by Frank Ocean and Elton John.
- What are the potential future implications of Crookes's evolving musical style and engagement with social issues?
- Crookes's new songs suggest a shift towards more pop-oriented sounds, with sturdier beats and larger choruses. This evolution, coupled with her candid approach to personal struggles, positions her for broader appeal while maintaining her distinctive style. The upcoming album release and continued engagement with social issues promise a significant impact on her career and the music scene.
Cognitive Concepts
Framing Bias
The framing is largely positive, focusing on Crookes' talent and stage presence. The inclusion of a less successful song (Pass the Salt) and the mention of Crookes' nerves early in the concert balances the overwhelmingly positive portrayal somewhat, but overall it's favorable.
Language Bias
The language used is largely descriptive and appreciative, using terms like "killer hook", "slick and energetic", and "remarkable, room-filling" voice. While positive, the language is not overtly loaded or biased. The use of the informal "bum note" is suitable for the casual tone.
Bias by Omission
The review focuses heavily on the concert experience and Crookes' musical style, omitting deeper analysis of the political themes present in her music and their connection to the War Child charity event. While the article mentions songs about gentrification, racism, and misogyny, it doesn't explore these themes in detail, potentially leaving out important context for the audience.
Sustainable Development Goals
Joy Crookes' music tackles themes of gentrification, racism, and misogyny, reflecting and contributing to conversations about social justice and equality. Her work challenges societal norms and promotes a more inclusive society, which aligns with the goals of reducing inequalities. The concert itself, a charity event for War Child, further demonstrates a commitment to social justice and equality.