forbes.com
Lisa from Blackpink Makes History on Billboard Dance Chart
Lisa from Blackpink's single "Born Again" debuted at No. 40 on Billboard's Dance/Mix Show Airplay chart, making her only the second solo female K-pop artist to achieve this, following her bandmate Rosé, whose single "Apt." has spent 19 weeks on the chart.
- What is the significance of Lisa's entry onto the Billboard Dance/Mix Show Airplay chart?
- Lisa from Blackpink makes history as only the second solo female K-pop artist to chart on Billboard's Dance/Mix Show Airplay, joining her bandmate Rosé. Her single "Born Again," featuring Doja Cat and Raye, debuted at No. 40. This success highlights the global reach of K-pop and Lisa's individual star power.
- How does Lisa's achievement compare to other K-pop and South Korean female solo artists on this chart?
- Lisa's achievement on the Dance/Mix Show Airplay chart signifies the growing influence of K-pop within the American dance music scene. The fact that only two solo female K-pop artists have achieved this milestone underscores the significance of Lisa's accomplishment. Rosé's continued presence on the chart, with her single "Apt." spending 19 weeks on the tally, further strengthens this observation.
- What are the potential long-term implications of Lisa's success for the K-pop genre and its crossover appeal?
- Lisa's success could pave the way for more K-pop solo artists to break into the US dance music market. This accomplishment not only showcases the growing global popularity of K-pop but also highlights the increasing crossover potential of the genre into different musical styles. Future success in this area could rely on similar collaborations with established Western artists.
Cognitive Concepts
Framing Bias
The article frames Lisa's achievement as groundbreaking and historic, repeatedly emphasizing her status as a 'powerful solo star' and highlighting her record-breaking entries on the Billboard charts. The headline itself, "Lisa Lands on Billboard's Dance/Mix Show Airplay Chart," prioritizes Lisa's success. The repeated use of phrases like 'historic feats' and 'carve out space in the record books' contributes to a celebratory and overwhelmingly positive portrayal of Lisa's accomplishment.
Language Bias
The article uses largely positive and celebratory language when discussing Lisa's success. Words and phrases such as "powerful solo star," "historic feats," and "record books" are examples of loaded language that present Lisa's achievements in a highly favorable light. While not overtly negative, the language used lacks the neutrality expected in objective reporting.
Bias by Omission
The article focuses heavily on Lisa's achievements while mentioning other artists briefly. While acknowledging Peggy Gou's success, the comparison feels somewhat superficial and doesn't delve into the nuances of their respective musical styles or career trajectories. The article also omits discussion of the overall landscape of K-pop's presence on US radio charts, which could provide further context for Lisa's achievement.
Gender Bias
The article focuses primarily on female artists within the K-pop genre, highlighting Lisa and Rosé's achievements. While Peggy Gou is mentioned, the article doesn't explicitly discuss gender dynamics within the broader context of the music industry or on Billboard charts. More balanced representation could include data on male K-pop artists' performance on similar charts.
Sustainable Development Goals
Lisa's success as a solo K-pop artist contributes to economic growth in the music industry, generating revenue and employment opportunities. Her achievements also inspire other artists and contribute to the global reach of K-pop.