theguardian.com
McEwan's New Novel Imagines a Submerged Britain in 2119
Ian McEwan's new novel, "What We Can Know," set in 2119 Britain, partially submerged by rising seas, follows an academic's search for a lost poem that reveals a crime and entangled relationships, exploring themes of history and what we can know about the past and future.
- How does the novel's focus on a lost poem and a crime contribute to its exploration of history, knowledge, and human relationships?
- The novel uses a fictional future to reflect on present and past events. The setting of a partially flooded Britain in 2119 serves as a backdrop to examine themes of love, crime, and the limitations of historical knowledge, highlighting the impact of climate change on future generations. The protagonist's search for a lost poem becomes a metaphor for our attempts to understand the past and its consequences.
- What potential impact might "What We Can Know" have on public awareness and future narratives surrounding climate change and its consequences?
- McEwan's work prompts reflection on our legacy for future generations, particularly concerning environmental damage and societal issues. The partially submerged Britain acts as a cautionary tale, underscoring the long-term effects of current actions and raising questions about the knowledge we leave behind. The novel's blend of past, present and future might inspire conversations about climate change's impact and the importance of environmental stewardship.
- What are the immediate implications of McEwan's depiction of a partially submerged UK in 2119 for discussions about climate change and environmental policy?
- Ian McEwan's new novel, "What We Can Know," set in 2119, portrays a UK partially submerged due to rising sea levels. The story follows an academic's search for a lost poem, uncovering entangled relationships and a crime, exploring themes of history and what we can know about the past and future.
Cognitive Concepts
Framing Bias
The framing is largely positive, focusing on the anticipation and intrigue surrounding the novel's release. The quotes from McEwan and the publisher highlight the novel's literary merit and emotional depth, which could influence readers to view the book favorably. The inclusion of a direct link to purchase the book through guardianbookshop.com also subtly promotes sales.
Language Bias
The language used is largely neutral and descriptive, relying on quotes from McEwan and the publisher to convey the novel's themes and reception. While words like "deeply humane" and "compassionate" are positive, they are used to reflect existing opinions rather than to impose a particular viewpoint.
Bias by Omission
The article focuses primarily on the plot and critical reception of McEwan's new novel, omitting potential discussions of its scientific accuracy or the potential political implications of its dystopian setting. While this is understandable given the article's purpose, a more comprehensive review might include perspectives from climate scientists or political analysts to provide additional context.
Sustainable Development Goals
The novel depicts a future UK partially submerged due to rising sea levels, illustrating the negative impacts of climate change and the potential consequences of inaction. The setting serves as a stark warning about the effects of climate change on coastal communities and infrastructure.