elpais.com
Mondongo's \$1.2 Million Argentinian Landscape Sets Auction Record
Mondongo, a collaborative art duo, sold their hyperrealistic plastilina artwork, "Argentina (landscapes)", for \$1.2 million, setting a record for the most expensive Argentinian artwork sold at public auction; the piece, created over five years, depicts Argentinian landscapes inspired by a 2008 trip to Entre Ríos.
- What is the significance of "Argentina (landscapes)" being sold for \$1.2 million?
- Mondongo, a Buenos Aires-based artist duo, created "Argentina (landscapes)", a monumental artwork composed of 15 panels, each weighing nearly 100 kilos. The piece, recently sold for \$1.2 million, is the most expensive Argentinian artwork ever sold at public auction.
- How did Mondongo's trip to Entre Ríos influence their artistic process and the creation of "Argentina (landscapes)"?
- Inspired by a weekend trip to Entre Ríos in 2008, the artwork is a hyperrealistic depiction of Argentinian landscapes meticulously crafted from plastilina. The artists spent five years working 12 hours a day, creating a unique blend of painting and sculpture.
- What are the long-term implications of Mondongo's unique artistic process and material choices on the contemporary art world?
- The success of "Argentina (landscapes)" highlights Mondongo's innovative approach to art, blending traditional techniques with unconventional materials. Their use of plastilina, combined with their unique collaborative process, sets them apart in the contemporary art market and points to future explorations of this medium.
Cognitive Concepts
Framing Bias
The narrative frames Mondongo's success as a result of their unique artistic process and dedication, emphasizing their perseverance and the laborious nature of their work. This framing might overshadow other factors contributing to their success, such as market trends or the role of patrons and galleries. The headline (if any) would heavily influence this.
Language Bias
The language used is largely descriptive and neutral. However, phrases like "desesperados" (desperate) to describe the artists might subtly portray them as driven to an extreme, though this could be interpreted as simply emphasizing their dedication.
Bias by Omission
The article focuses heavily on the artistic process and the artists' personal lives, potentially omitting critical analysis of the artwork's artistic merit or its place within a broader art historical context. There is no mention of art critics' reviews or comparisons to similar artistic styles.