zeit.de
Naumann and Tieu to Design 2026 Venice Biennale German Pavilion
Henrike Naumann and Sung Tieu, Berlin-based artists, will design the German Pavilion at the 2026 Venice Biennale (May 9th-November 22nd), critically examining societal, bureaucratic, and social systems through their conceptual and sculptural work.
- Who are the artists selected for the German Pavilion at the 2026 Venice Biennale, and what is the central theme of their work?
- The German Pavilion at the 2026 Venice Biennale will be designed by Henrike Naumann and Sung Tieu, two Berlin-based artists. Their work critically examines societal, bureaucratic, and social systems. The Biennale, a major contemporary art event, runs from May 9th to November 22nd, 2026.
- How do the artists' backgrounds and artistic approaches reflect broader contemporary concerns regarding historical responsibility and political systems?
- Naumann and Tieu's selection highlights a shift in perspective on historical responsibility and the role of individual and collective power. Their work, rooted in their experiences with differing political systems, challenges traditional approaches within the context of the German Pavilion.
- What potential future impacts or discussions might the exhibition's focus on societal, bureaucratic, and social systems generate within the art world and beyond?
- Their focus on societal and political transformations, along with the exploration of the Cold War's aftermath and colonial entanglements, suggests the 2026 Biennale will feature art reflecting on Germany's complex historical legacy and its position in the global political landscape.
Cognitive Concepts
Framing Bias
The framing is largely positive, highlighting the artists' critical perspectives and innovative approaches. The selection is presented as a significant event, emphasizing the importance of the Biennale and the German Pavilion. This positive framing could overshadow potential counterarguments or criticisms.
Language Bias
The language used is largely neutral and descriptive. Terms like "reflected," "questioned," and "critical" are used to describe the artists' work, but these terms are relatively objective and avoid overtly loaded language.
Bias by Omission
The article focuses heavily on the artists' backgrounds and artistic styles, but omits discussion of potential controversies or criticisms surrounding their work or the selection process. It also lacks information on the budget and logistical aspects of the pavilion's creation. While this may be due to space constraints, the omission limits a comprehensive understanding of the event.
Sustainable Development Goals
The selection of two female artists to represent Germany at the Venice Biennale challenges gender inequality in the art world and positions their work, which questions societal structures, within a framework of promoting equality and challenging power dynamics. The artists' focus on historical responsibility and individual/collective agency also implicitly addresses systemic inequalities.