theguardian.com
Netflix's "Squid Game" Returns, Alongside New Dramas Exploring Power and Conflict
Squid Game" season two returns to Netflix, focusing on the winner's fight against the deadly competition; Disney+ releases "Say Nothing", a dramatization of the Northern Ireland Troubles; Paramount+ presents "Queen Woo", a Korean historical drama; BBC iPlayer offers "The Famous Five"; and Paramount+ and Disney+ release "The Road Trip" and "Rivals", respectively.
- What are the central themes explored in the new seasons of "Squid Game" and how do they reflect current global concerns about social inequality?
- Squid Game" returns with its second season, focusing on Gi-hun's attempts to stop the deadly competition, highlighting societal inequalities. The show's satirical commentary on powerlessness is central, though some may find the exposition excessive. "Say Nothing" on Disney+ recounts the Troubles in Northern Ireland through the experiences of a family and IRA operatives, offering a nuanced perspective on a complex conflict.
- How do "Say Nothing" and "Squid Game" utilize different narrative approaches to depict the consequences of political and social power imbalances?
- The new season of "Squid Game" intensifies its critique of systemic issues driving desperation and inequality, while "Say Nothing" uses personal narratives to delve into the long-lasting effects of the Troubles. Both shows employ compelling storytelling to explore the impact of power imbalances and societal injustice.
- What are the potential future implications of the success of shows like "Squid Game" and "Say Nothing" for the portrayal of complex social and political issues in television?
- Squid Game"'s success suggests a growing audience appetite for narratives confronting social injustice, while "Say Nothing"'s detailed portrayal of a specific conflict might inspire similar projects examining other historical traumas. The contrasting styles highlight the effectiveness of both polemical satire and personal narratives in addressing difficult subjects. The success of "Rivals", indicates a continued interest in narratives focused on power dynamics and interpersonal relationships.
Cognitive Concepts
Framing Bias
The framing is generally neutral, presenting each show with a concise summary. There's no evident bias towards promoting certain shows over others beyond the inherent subjectivity of selection for a 'pick of the week' feature.
Language Bias
Language used is generally neutral and descriptive. Words such as "smash", "gripping", and "lavish" add descriptive color but don't exhibit significant bias.
Sustainable Development Goals
The show highlights social and economic inequalities that force individuals into desperate situations, raising awareness of the issue and prompting discussions about potential solutions. The show's popularity has generated significant conversations about wealth disparity and the need for more equitable systems.