kathimerini.gr
Oresteia Chorus Prepares for Performance with Intensive Training Session
Twenty-four actors from the Chorus of Theodoros Terzopoulos's Oresteia attended a 7:30 PM training session at the Delphi European Cultural Centre following a demanding performance the previous night, focusing on the Terzopoulos Method to prepare for the evening's show.
- What specific challenges did the Chorus actors face, and how did their training session address these challenges?
- At 7:30 PM, 24 actors from the Chorus of the Oresteia met in the Frynikhos hall for a training session led by Savvas Stroumbos, an associate director of Theodoros Terzopoulos. Despite a grueling performance the previous night, lasting until after midnight in intense heat, all actors attended, demonstrating dedication.
- How does the Terzopoulos Method, employed in the Oresteia production, contribute to the actors' performance and the overall theatrical experience?
- The training session focused on the Terzopoulos Method, emphasizing psycho-physical activation and self-concentration. This session aimed to reconnect actors with fundamental principles after an extensive six-month rehearsal period and a demanding tour, highlighting the importance of maintaining a strong connection to the performance's core elements.
- What are the long-term implications of the Terzopoulos Method on the actors' performance, and how does this approach impact their artistic growth and interpretation of the play?
- Theodoros Terzopoulos's feedback stressed the importance of dynamic group performance, urging actors to express intensity and passion while maintaining individuality. This approach highlights the method's focus on using the body as a vehicle for accessing the mythical material, transforming the individual into a collective entity essential to the performance.
Cognitive Concepts
Framing Bias
The narrative emphasizes the physical and emotional intensity of the actors' work, creating a positive frame around their dedication and the director's methods. The director's comments are presented as insightful and valuable.
Language Bias
The language is largely descriptive and neutral, focusing on actions and observations. Words such as 'δεμένη ομάδα' (close-knit team) portray a positive image of the group dynamics. However, terms like 'τρέλα' (madness) and 'τέρας' (monster) are used directly from the director's speech and reflect the intense nature of the performance rather than indicating bias.
Bias by Omission
The provided text focuses on the rehearsal and doesn't offer broader context on the play's reception or alternative interpretations. While this is a limited scope, it is important to note that the lack of such context could limit a reader's understanding of the significance of the training session and the director's feedback.
Sustainable Development Goals
The article highlights a training session focused on psychosomatic activation and self-concentration for actors performing in a demanding play. This training aims to improve their physical and mental well-being, mitigating the potential negative impacts of strenuous performances under challenging conditions (extreme heat). The emphasis on physical and vocal exercises suggests a focus on holistic health and stress management.