forbes.com
Rosé Makes K-Pop History with "Apt." No. 1 Debut on Pop Airplay
Rosé's "Apt." song featuring Bruno Mars debuted at number one on the US Pop Airplay chart, making her the first K-pop artist to top this chart, surpassing BTS's previous record of number five with "Dynamite" in 2020 and marking Bruno Mars' eleventh number-one hit on the chart.
- What is the significance of Rosé's "Apt." reaching No. 1 on the Pop Airplay chart?
- Rosé's "Apt." reached No. 1 on the Pop Airplay chart, making her the first K-pop artist to achieve this milestone. This surpasses the previous K-pop high of No. 5, held by BTS's "Dynamite". The song's success signifies a major breakthrough for K-pop in the US.
- What are the potential long-term implications of this success for the K-pop industry and its global reach?
- Apt." reaching No. 1 predicts continued growth for K-pop's popularity in the US and opens doors for future K-pop artists to achieve similar success on mainstream American charts. Bruno Mars's involvement likely contributed to the song's success, underscoring the importance of collaborations in breaking into new markets. The achievement also suggests a shift in American music consumption patterns.
- How does Rosé's achievement compare to previous successes by other K-pop artists on the Pop Airplay chart?
- The success of "Apt." reflects the growing global influence of K-pop. Only five K-pop songs have ever charted in the top 10 of the Pop Airplay chart, highlighting the competitive nature of the ranking. Rosé's achievement builds upon previous successes by artists like BTS and Psy, further solidifying K-pop's presence in the US market.
Cognitive Concepts
Framing Bias
The framing is heavily biased towards highlighting Rosé's success. The headline (if one were to be constructed) would likely emphasize her as the first K-pop artist to reach No. 1. The introduction further reinforces this perspective. While factually accurate, the emphasis on Rosé's achievement overshadows the broader context of K-pop's presence on the chart, making it seem like a singular, unprecedented event.
Language Bias
The language used is largely neutral and factual. However, phrases like "most successful song" and "historic high" add an element of hyperbole that might inflate the significance of the event beyond a strictly factual presentation. The repeated use of superlatives such as "first," "most successful," and "biggest" emphasizes Rosé's achievement, enhancing the framing bias.
Bias by Omission
The article focuses heavily on Rosé's achievement and mentions other K-pop artists only in the context of comparison. It omits discussion of other artists' contributions to the pop airplay chart, potentially creating a skewed perspective of the overall landscape. While acknowledging limitations in scope is reasonable, the lack of broader context about other successful songs, both K-pop and non-K-pop, could mislead readers into thinking Rosé's achievement is more unique than it actually is.
False Dichotomy
The article presents a somewhat false dichotomy by primarily framing the story as Rosé's individual triumph, while mentioning other K-pop artists only as benchmarks for comparison. It doesn't delve into the collaborative aspects of the music industry, and how other factors, such as songwriting teams, production, and marketing, contribute to a song's success. This simplifies the story into a narrative of solely individual accomplishment.
Sustainable Development Goals
Rosé's achievement as the first K-pop artist to top the US Pop Airplay chart challenges existing power structures in the music industry, promoting inclusivity and diversity in global music.