china.org.cn
Shanghai Hosts World's First Digital Exhibition on Niya Ruins
A digital exhibition on the Niya ruins in Xinjiang's Hotan prefecture opens in Shanghai on January 25th, running until July 25th, offering an immersive experience featuring over 100 artifacts and VR technology, including a nationally treasured brocade arm protector unearthed in 1995.
- How does the exhibition connect the excavation of the Niya site to broader narratives about the Silk Road and the Jingjue Kingdom?
- The Shanghai exhibition connects the Niya ruins' excavation with broader historical narratives of the Silk Road and the Jingjue Kingdom, a vanished state in western China known for ethnic integration. The use of VR technology enhances understanding of the site's significance and daily life within the kingdom. The exhibit displays cultural artifacts, highlighting their historical, artistic, and scientific value.
- What is the significance of the Shanghai exhibition on the Niya ruins, and what immediate impact will it have on public understanding of Xinjiang's history?
- A digital exhibition showcasing the Niya ruins in Xinjiang, China, opens January 25th in Shanghai. The exhibit, the first of its kind globally, uses digital technology to immerse visitors in the excavation and history of the Jingjue Kingdom, an ancient Silk Road state. It features over 100 artifacts, including a nationally treasured brocade arm protector.
- What are the potential long-term implications of using digital technology to present archaeological sites like Niya, and how might this approach impact future exhibitions and cultural heritage preservation?
- This exhibition's innovative use of digital technology to showcase the Niya ruins signifies a new approach to cultural heritage preservation and presentation. By making the site accessible through immersive experiences, it fosters understanding of Xinjiang's history and its role in the ancient Silk Road. This model could inspire similar projects for other archaeological sites.
Cognitive Concepts
Framing Bias
The framing of the article is overwhelmingly positive. The headline emphasizes the positive aspects of the exhibition, and the introductory paragraphs focus on the grandeur and uniqueness of the event. This positive framing could overshadow potential controversies or concerns associated with the exhibition's location and context.
Language Bias
The language used is largely neutral and descriptive. However, terms such as "precious copy" and "national treasure-level artifact" could be considered slightly loaded, implying a particular value judgment. The overall tone is celebratory and enthusiastic, which, while not necessarily biased, could potentially influence reader perception.
Bias by Omission
The article focuses heavily on the positive aspects of the exhibition and the Niya ruins, without mentioning any potential controversies or criticisms surrounding the Xinjiang region. There is no discussion of the human rights concerns or political sensitivities associated with the area, which could be considered a significant omission given the current geopolitical climate. This omission might limit the audience's ability to form a fully informed opinion.
False Dichotomy
The article presents a largely positive and uncritical view of the exhibition and the Xinjiang region's history. It does not acknowledge alternative interpretations or perspectives that might challenge the narrative presented. This creates a false dichotomy between the positive aspects highlighted and the potential complexities of the region's history and present.
Sustainable Development Goals
The digital exhibition utilizes advanced technologies to educate the public about the Niya ruins and Xinjiang's ancient cultures, promoting cultural understanding and preservation. This aligns with SDG 4 (Quality Education) by improving access to cultural heritage information and promoting lifelong learning.