zeit.de
Tatort: Colonius" Criticized for Absurd Plot
The German crime film "Tatort: Colonius" is criticized for its illogical plot, which links a present-day murder to a 30-year-old cold case involving a missing woman and a burned car, raising concerns about its script's approval process.
- What are the main criticisms of the "Tatort: Colonius" film's plot and narrative structure?
- The Cologne-based "Tatort: Colonius" revisits the conventions of 1960s and 70s German crime films, particularly the portrayal of forensic experts. The film's plot, however, is criticized for its absurdity and implausible narrative structure.
- How does the film's depiction of forensic investigation compare to earlier German crime films?
- The film's storyline, set against the backdrop of a 1990s techno party and a subsequent cold case, is considered illogical and poorly constructed. The connection between the present-day murder and the past events is deemed weak and unconvincing.
- What does the film's production process suggest about the quality control within German crime film productions?
- The film's poor script raises questions about the editorial and production oversight process, highlighting a potential lack of critical evaluation before filming. This case study exemplifies issues within German crime film production and raises concerns about quality control.
Cognitive Concepts
Framing Bias
The framing of the analysis is heavily critical of the modern Tatort episode, highlighting its perceived flaws and absurdities. The positive aspects of the episode, if any, are largely ignored. The comparison to older films is presented to elevate those films and diminish the modern one.
Language Bias
The use of terms like "müden Streit" (tired argument), "absurd," and "Quark" (nonsense) reveals a negative and dismissive tone towards the Tatort episode. More neutral language would improve objectivity. For example, instead of "Quark," the reviewer could describe the plot as "implausible" or "unconvincing.
Bias by Omission
The analysis focuses heavily on the comparison between the older films and the modern Tatort episode, but omits discussion of other potential influences on the modern crime drama. It also doesn't address the broader context of German crime dramas or societal changes that might influence the content. The lack of comparison to other contemporary crime dramas limits the scope of the analysis.
False Dichotomy
The review presents a false dichotomy by implying that the only acceptable crime drama is one that mirrors the older, more realistic films. It doesn't consider the potential for modern crime dramas to explore different themes or styles.
Gender Bias
The description of Gina Grabitz as "begehrenswert" (desirable) might be considered a gender bias, focusing on her attractiveness rather than her role in the plot. More information about her character and actions beyond her physical appearance would provide a more balanced portrayal.
Sustainable Development Goals
The article discusses a film that touches upon social inequalities and the criminal justice system, indirectly promoting awareness and discussion around these issues. Although not explicitly stated, the themes of the film and its exploration of social issues indirectly contribute to the goal of reduced inequalities.