elpais.com
The End": A Post-Apocalyptic Musical
The End," a musical premiering April 25th, follows a dysfunctional family's survival in a post-apocalyptic bunker, using song to cope with their despair, challenging typical musical conventions.
- How do recent films and series use the musical genre to explore complex themes, challenging traditional conventions?
- The End", a new musical premiering April 25th, depicts a family's survival in a post-apocalyptic bunker. The film uses song, not as escapism, but as a coping mechanism for their bleak reality.
- What are the potential future implications of this evolving approach to musicals, and how might it influence storytelling and audience engagement?
- This trend suggests a shift towards using musicals to confront complex social and emotional issues, offering a unique narrative lens. The use of music becomes a tool to grapple with difficult truths, rather than simply a vehicle for light entertainment. Future films may explore this dynamic further, blurring genre lines and expanding the expressive potential of musicals.
- What are the key differences between the use of music in "The End" and more traditional musicals, and how do these differences impact the narrative?
- Unlike traditional musicals, "The End" and other recent films like "Joker: Folie à Deux" use music to express emotions and explore difficult themes, challenging the genre's often-cheerful stereotype. This approach is also seen in the Spanish series "Mariliendre", which uses early 2000s music to contrast past euphoria with present sorrow.
Cognitive Concepts
Framing Bias
The article frames the discussion around the rise of darker musicals as a reaction against the perceived superficiality of classic musicals. This framing, while understandable, might unintentionally downplay the artistic merit or enduring appeal of traditional musicals. The emphasis on 'darker' themes might also shape the reader's expectations of the genre as a whole.
Language Bias
The language used is generally neutral, although descriptive words like "doliente" (grieving) might carry a slightly subjective connotation. However, the overall tone strives for objectivity. The use of quotes from various sources helps maintain a balanced perspective.
Bias by Omission
The article focuses on a specific selection of musicals and filmmakers, potentially omitting other relevant examples that could offer a more comprehensive view of the trend of darker musicals. There is no mention of the potential impact of streaming services on the rise of this subgenre, which could be a significant factor.
False Dichotomy
The article presents a somewhat false dichotomy between the traditional, upbeat musical and the newer, darker musical. While it acknowledges exceptions, the framing emphasizes a stark contrast that might oversimplify the evolution of the genre.
Sustainable Development Goals
The movie depicts a post-apocalyptic world devastated by climate change, highlighting the severe consequences of inaction on climate change. The film uses this setting to explore themes of survival, family dysfunction, and coping mechanisms in the face of catastrophic environmental damage. This directly reflects the negative impacts of climate change on human lives and societies, a central concern of SDG 13.