bbc.com
Ziferblat to Represent Ukraine at Eurovision 2025
The Kyiv-based band Ziferblat won Ukraine's Eurovision 2025 national selection with their song "Bird of Pray," a disco-funk and 70s-inspired track about hope, beating nine other finalists whose songs mostly addressed the ongoing war.
- What is the significance of Ziferblat's Eurovision 2025 win for Ukraine?
- The Ukrainian band Ziferblat won the national selection for Eurovision 2025 with their song "Bird of Pray," securing both high scores from judges (9/10) and a perfect score from viewers. They will represent Ukraine at the contest in Basel, Switzerland, in May.
- How did the voting process and judging criteria in the Ukrainian national selection contribute to Ziferblat's victory?
- Ziferblat's victory reflects the evolving tastes of Ukrainian audiences and judges, showcasing a blend of disco-funk and 60-70s hippie styles. Their song's message of hope resonates with the national context, contrasting with other finalists whose songs focused on the war's impact.
- What broader trends or implications does Ziferblat's win suggest about the changing cultural landscape in Ukraine and its representation on the international stage?
- Ziferblat's win suggests a shift towards optimism in Ukraine's national identity, choosing a song about hope over more explicitly war-themed entries. This selection might influence future Eurovision entries from other countries facing conflict, emphasizing the importance of hope and resilience.
Cognitive Concepts
Framing Bias
The narrative prioritizes Ziferblat's victory, providing extensive background information and highlighting their positive reception by both judges and the audience. This emphasis, while natural given the article's subject, might overshadow the achievements and contributions of other finalists. The headline itself directly announces Ziferblat's win, framing the story around their success.
Language Bias
The language used is generally neutral and objective, reporting the results of the competition and providing factual information about the participants. However, phrases like "Ziferblat, який полюбили глядачі" (Ziferblat, who was loved by the audience) might subtly suggest a pre-existing popularity that could be interpreted as a bias, though it's arguably reflective of reality. No overtly loaded language is detected.
Bias by Omission
The article focuses heavily on the winning band, Ziferblat, and provides detailed information about their history and music style. However, it offers limited detail on other finalists beyond their placement, song titles, and brief descriptions. While this is understandable given space constraints, omitting deeper analysis of other finalists' musical styles, lyrical themes, and potential for success limits a complete understanding of the competition.
Gender Bias
The article mentions both male and female artists and bands. While there's no overt gender bias in language, the descriptions tend to focus more on the music and performance aspects rather than personal details unrelated to their artistic contributions. Therefore, gender bias is minimal.
Sustainable Development Goals
The article highlights the resilience of Ukrainian culture and the continuation of national events like Eurovision despite the ongoing war. The participation of artists who have created works reflecting the war, such as Molodi's song about their war-torn hometown Mariupol, showcases the importance of freedom of expression and cultural continuity in times of conflict. The use of the Diia application for online voting demonstrates the use of technology to promote transparency and inclusivity in national events.