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2025 Praemium Imperiale Awards Marina Abramović and Others
The 2025 Praemium Imperiale art awards, presented by Japan's Art Association in October in Tokyo, honored Marina Abramović (Serbia, sculpture), Peter Doig (Scotland, painting), Eduardo Souto de Moura (Portugal, architecture), András Schiff (Hungary, music), and Anne Teresa De Keersmaeker (Belgium, theatefilm), each receiving approximately €90,000.
- What is the significance of Marina Abramović's 2025 Praemium Imperiale award, and what does it reveal about the broader impact of her work?
- The Praemium Imperiale, a prestigious Japanese art award, recognizes lifetime achievement across five artistic disciplines. In 2025, Marina Abramović (sculpture), Peter Doig (painting), Eduardo Souto de Moura (architecture), András Schiff (music), and Anne Teresa De Keersmaeker (theatefilm) were awarded approximately €90,000 each.
- How does the selection process for the Praemium Imperiale balance geographical representation with artistic merit, and what are the ongoing concerns about its inclusivity?
- This year's recipients represent a diverse range of artistic styles and nationalities, highlighting the global reach of the award. The selection process emphasizes lasting cultural impact over specific artistic movements or nationalities, as evidenced by past winners such as Cindy Sherman and Steve Reich.
- What are the future implications of the ongoing criticisms of the Praemium Imperiale's geographical representation, and how might the award adapt to address these concerns?
- While the Praemium Imperiale celebrates significant artistic contributions, criticism persists regarding underrepresentation of African and Latin American artists. Although some artists from these regions have been recognized in recent years, the disparity remains a notable issue.
Cognitive Concepts
Framing Bias
The article emphasizes Marina Abramović's win, devoting a significant portion to her biography and artistic contributions. While this is understandable given her prominence, it might overshadow the achievements of other winners. The headline, if one existed, would likely influence the reader's focus further. A more balanced presentation of all five winners would reduce this bias.
Language Bias
The language used is generally neutral and descriptive, avoiding loaded terms. The article uses terms like "significant," "important," and "prominent" to describe the award and the artists, which are largely objective descriptors.
Bias by Omission
The article focuses heavily on European and Asian artists awarded the Praemium Imperiale, while acknowledging underrepresentation of African and Latin American artists. This omission, while mentioned, could lead to an incomplete understanding of the award's global reach and impact. More balanced representation of awardees from all continents would improve the article.
Gender Bias
The article mentions both male and female artists without apparent gender bias in its descriptions or language. While it focuses on Abramović's story, the attention seems justified by her significance in the art world, not her gender.
Sustainable Development Goals
The Praemium Imperiale award, while not without its criticisms regarding geographical representation, actively promotes diversity by recognizing artists from various countries and backgrounds. Awarding artists from underrepresented regions like Africa (e.g., Youssou N