theglobeandmail.com
Cannes Film Festival 2024: A Review
Globe film editor Barry Hertz attended the Cannes Film Festival, reviewing films like the Palme d'Or winner "It Was Just an Accident" and "Mission: Impossible," and noting the impact of Trump's tariffs on the event's atmosphere and international collaborations.
- How did the political climate, specifically Trump's tariffs, affect the mood and collaborations at the Cannes Film Festival?
- Hertz's Cannes experience revealed a festival grappling with political themes (e.g., "It Was Just an Accident") and Hollywood's continued presence, showcasing both high-brow and commercial films. The impact of Trump's tariffs was met with cautious optimism from Americans, but Europeans adopted a more Europe-first approach, prioritizing regional collaboration. Canadian film's presence at Cannes was noted, with some films potentially heading to TIFF.
- What were the most significant films showcased at Cannes, and what are their potential implications for the global film industry?
- Barry Hertz, Globe film editor, attended the Cannes Film Festival and reviewed numerous films, including the Palme d'Or winner, "It Was Just an Accident." He also noted the inclusion of Hollywood films like "Mission: Impossible," a common occurrence at Cannes despite its high-brow reputation. His review of "Die, My Love" highlighted Jennifer Lawrence's strong performance.
- What are the potential long-term effects of the Cannes Film Festival on international film collaborations and the future of Canadian cinema?
- The 2024 Cannes Film Festival may see a shift in international collaboration due to political factors and the evolving film landscape. Canadian institutions seem to be using Cannes as a platform to showcase their work on a global scale, potentially gaining recognition and future collaborations. The impact of streaming versus theatrical release continues to shape the future of the film festival experience.
Cognitive Concepts
Framing Bias
The narrative is framed primarily through Hertz's subjective experiences and opinions. Headlines and subheadings emphasize his personal reactions to films and events, potentially overshadowing objective analysis of the festival itself. The reader is presented with Hertz's opinions before any broader context is established. For example, his immediate assessment of Alpha as 'powerful filmmaking' precedes any exploration of why it might be polarizing.
Language Bias
While largely neutral, the language used sometimes reflects Hertz's personal enthusiasm or criticism. For instance, describing Jennifer Lawrence's performance as "raw and unhinged, almost feral" is subjective and emotionally charged, rather than purely descriptive. Suggesting more neutral alternatives, like 'intense' or 'powerful' would improve objectivity.
Bias by Omission
The article focuses heavily on Barry Hertz's personal experiences and opinions, potentially omitting broader perspectives on the Cannes Film Festival. While acknowledging the limitations of his schedule, the lack of coverage on the Palme d'Or winner, despite its significance, is a notable omission. Further, the article lacks detailed analysis of the political context surrounding many of the films, reducing the depth of understanding for readers unfamiliar with the films or political situations.
False Dichotomy
The article presents a somewhat simplified view of the Hollywood vs. high-brow dichotomy at Cannes. While it acknowledges the festival's inclusion of Hollywood films, it doesn't fully explore the complexities and nuances of the festival's programming choices or the potential benefits of this inclusion.
Gender Bias
The article's gender representation seems balanced in terms of mentioning both male and female actors (Jennifer Lawrence, Tom Cruise, Halle Berry, etc.), however, there is no detailed discussion of gender roles or representation within the films themselves. This omission limits a complete assessment of gender bias within the context of the festival.
Sustainable Development Goals
The article discusses the Cannes Film Festival, a significant event in the film industry that fosters creativity, artistic expression, and cultural exchange. Exposure to diverse films and filmmaking styles contributes to education and appreciation of cinematic arts.