faz.net
De Heem Still Life Sells for €3.55 Million at Lempertz Auction
A previously unknown still life painting by Jan Davidszoon de Heem sold for €3.55 million at a Lempertz auction in Cologne, exceeding its estimate by €2.8 million; the auction also features works from the estate of Oskar Schlemmer, following a long inheritance dispute.
- How did a decades-long inheritance dispute impact the auction of Oskar Schlemmer's works?
- The high price reflects the rarity and quality of de Heem's work, as well as the intense competition among collectors. The auction also featured works from the estate of Oskar Schlemmer, resolved after a decades-long inheritance dispute.
- What was the final sale price of the rediscovered Jan Davidszoon de Heem still life, and what does this indicate about the current art market?
- A rediscovered still life by Jan Davidszoon de Heem sold for €3.55 million at Lempertz auction in Cologne, exceeding its estimate by €2.8 million. This previously unknown painting, privately owned for generations, was the auction's top lot.
- What are the projected financial outcomes of the upcoming Lempertz auctions of modern and contemporary art, and what factors contribute to these projections?
- The upcoming Lempertz auctions of modern and contemporary art, starting with the "Evening Sale" on May 30th, are expected to generate significant revenue, with estimates ranging from €11 million to €14.5 million. Schlemmer's works are anticipated to perform exceptionally well.
Cognitive Concepts
Framing Bias
The article frames the auction as a success story, emphasizing the high prices achieved, particularly the sale of the de Heem painting. The headline (if there was one) likely highlighted the record-breaking sale price. The positive tone and focus on monetary value might overshadow other aspects of the event, such as the artistic significance of the works or the stories behind them. This framing emphasizes the financial aspect of the art world over its artistic or cultural aspects.
Language Bias
The language used is generally neutral, although terms like "fulminant" and "record-breaking" convey a sense of excitement and success that might influence the reader's perception. However, these terms are fairly common when describing high-value art sales, and there are not many instances of overtly loaded language or biased descriptors.
Bias by Omission
The article focuses heavily on the auction results and the details of the artwork, potentially omitting the artistic merit or historical context of the pieces beyond their monetary value. There is no mention of the broader art market trends or the significance of these particular artists within a wider art historical narrative. The social impact or cultural context of the art is also largely absent. While this might be due to space constraints, it leads to a somewhat superficial understanding of the events.
Sustainable Development Goals
The article highlights the resolution of a decades-long inheritance dispute between family members over the estate of Oskar Schlemmer, resulting in the auction of his artwork. This positive resolution contributes to reduced inequality by ensuring fair distribution of assets and preventing potential conflicts related to inheritance.