forbes.com
Deftones' "Infinite Source" Debuts at No. 2 on Billboard Hard Rock Chart
Deftones' new song, "Infinite Source," from their album Private Music, debuts at No. 2 on Billboard's Hard Rock Streaming Songs chart, while simultaneously achieving their second No. 1 on the Hot Hard Rock Songs chart and securing multiple top 20 positions across other Billboard rock charts.
- What is the primary impact of Deftones' new song "Infinite Source" on Billboard charts?
- Infinite Source" debuted at No. 2 on the Hard Rock Streaming Songs chart, prevented from the top spot by Linkin Park's "In the End." It simultaneously secured the band's second No. 1 on the Hot Hard Rock Songs chart, marking their twelfth top 10 hit on that chart.
- What are the potential future implications of "Infinite Source"'s chart performance for Deftones?
- While "Infinite Source" narrowly missed the top spot on Hard Rock Streaming Songs, its strong performance across multiple charts suggests sustained popularity. This success could lead to further promotion of the track and increased exposure for the album Private Music, potentially influencing future chart positions and tour attendance.
- How does the success of "Infinite Source" compare to Deftones' previous achievements on Billboard charts?
- Infinite Source's" No. 2 debut on Hard Rock Streaming Songs follows the band's recent No. 1 with "My Mind Is a Mountain," also from Private Music. The album's success reflects a broader pattern of increased chart performance for Deftones across several rock-oriented Billboard rankings.
Cognitive Concepts
Framing Bias
The article focuses heavily on the success of Deftones' new album and singles, highlighting their chart performance and comparing them to Linkin Park. While it acknowledges Linkin Park's success, the framing emphasizes Deftones' achievements and positions them as a strong contender, even in their 'near misses'. The headline 'Deftones' new album Private Music becomes a huge win' sets a positive tone. The use of phrases like "huge win", "conquers multiple tallies", and "impressive starting points" creates a celebratory atmosphere around Deftones' performance. However, the framing might underplay the longevity and continued success of Linkin Park's 'In the End,' focusing more on Deftones' current achievements.
Language Bias
The language used is generally positive towards Deftones, using words like "conquers", "huge win", and "impressive". However, the repeated comparison to Linkin Park and the phrasing of "misses No. 1" subtly positions Linkin Park as the obstacle to Deftones' complete success. While factually accurate, it could be interpreted as slightly diminishing Deftones' achievements by highlighting their second-place position. More neutral language could include replacing 'conquers' with 'achieves high positions' or 'misses No. 1' with 'places second'.
Bias by Omission
The article focuses primarily on the chart performance of Deftones' new music, omitting any discussion of critical reception or public opinion beyond fan preference for "Infinite Source". There is no mention of the album's artistic merit, lyrical content, or production quality. The lack of broader context limits the reader's understanding of the album's overall impact. This omission, however, may be partially due to space constraints and the article's focus on the commercial success aspects.
False Dichotomy
The article presents a false dichotomy by framing the competition between Deftones and Linkin Park as a win-lose scenario. While Linkin Park holds the top spot, this doesn't negate Deftones' significant achievements. The narrative implies that Deftones' success is somehow lesser because they didn't reach number 1, ignoring the complexities of chart performance and the value of high rankings in general.