elpais.com
Dos tumbas": Carmen Mola's Transition from Novel to Series
Agustín Martínez, Jorge Díaz, and Antonio Mercero, the authors behind the Carmen Mola pseudonym, released their first series, "Dos tumbas," a three-episode thriller starring Kiti Mánver, on Netflix.
- How did the authors maintain originality within the saturated thriller genre, and what specific techniques did they employ?
- They achieved originality by limiting "Dos tumbas" to three episodes, focusing on a concise narrative that keeps viewers engaged. They also played with tonal shifts, contrasting the dark, violent thriller elements with the bright settings of Frigiliana and Almería.
- What are the key differences between the trio's novel-writing process and their approach to creating the series "Dos tumbas"?
- While their novel writing is a fully collaborative, horizontal process with no designated leader, the series saw Agustín Martínez take on the role of coordinator, making final decisions. The series also demanded a more concrete and focused narrative structure compared to their novels.
- What insights into the future of storytelling or the authors' creative process are revealed by their transition from novels to series?
- The authors' experience highlights the increasing importance of concision and focused storytelling in series, contrasting with the potential for digression in novels. Their adaptation to a coordinated series writing process also suggests a potential shift in their collaborative dynamic moving forward.
Cognitive Concepts
Bias by Omission
The article doesn't delve into potential conflicts during the writing process or any disagreements between the three authors. While this may be due to space limitations, it could be beneficial to explore this aspect to provide a more comprehensive understanding of their collaborative dynamic. It also does not discuss the reception of the series by critics or the public.
Gender Bias
The article focuses on the creative process of three male writers. While there's mention of the female lead actress, Kiti Mánver, the analysis primarily centers around the male creators and their perspectives. However, this is likely due to the subject matter being the writers' creative process, and not a purposeful exclusion.
Sustainable Development Goals
The article highlights the careers of three scriptwriters who successfully transitioned from television series to novel writing under a shared pseudonym. Their continued work in television production demonstrates their sustained contribution to the creative economy and job market. The success of their work, both in novels and series, showcases the potential for creative professionals to thrive and contribute to economic growth.