Dutch Printing Museum Saved by Political Intervention

Dutch Printing Museum Saved by Political Intervention

nrc.nl

Dutch Printing Museum Saved by Political Intervention

The Drukkerijmuseum Meppel, a museum in the Netherlands showcasing Meppel's history as a printing center, faced closure due to financial struggles but was saved by political intervention from the BBB Drenthe and GroenLinks parties after the city's printing industry declined due to the rise of digital printing and outsourcing in the 1970s.

Dutch
Netherlands
EconomyArts And CultureNetherlandsCultural HeritageLocal EconomyTechnological ChangePrinting MuseumMeppel
Bbb DrentheGroenlinksNrc
Stein Van IttersumWillem VersendaalGabe KuikJudith Christin De Klomp
How does the Drukkerijmuseum Meppel connect the history of Meppel's printing industry to its present, and what role did political intervention play in its survival?
The Drukkerijmuseum Meppel's survival highlights the intersection of local cultural preservation and political priorities. The museum, showcasing Meppel's once-thriving printing industry, faced closure until the BBB Drenthe party, along with GroenLinks, intervened, demonstrating an interest in supporting local culture beyond agricultural concerns.
What factors contributed to the decline of Meppel's printing industry and the near closure of the Drukkerijmuseum Meppel, and what actions prevented the museum's closure?
The rise of digital printing and outsourcing to countries like India led to the decline of Meppel's printing industry, resulting in the closure of approximately 25 printing companies and the loss of 700 jobs in the 1970s. The Drukkerijmuseum Meppel, a museum preserving this history, faced closure due to financial difficulties but was saved by political intervention.
What are the Drukkerijmuseum Meppel's plans for the future, and how do these plans reflect the changing landscape of museum engagement and the preservation of traditional crafts?
The museum's future involves expanding its educational outreach. Plans include transforming the upper floor into a hands-on workshop area where visitors can engage in printing techniques, thereby preserving and sharing the skills and heritage of Meppel's printing past. This reflects a shift from simply preserving artifacts to actively engaging the community.

Cognitive Concepts

2/5

Framing Bias

The narrative emphasizes the personal stories of the museum volunteers and the unique aspects of the museum's collection, creating a positive and sympathetic portrayal. This framing might overshadow the broader economic and cultural implications of the decline of the printing industry in Meppel. The headline (if any) would further influence this effect. The focus on the museum's survival against the odds subtly frames the story as one of local community triumph over adversity.

1/5

Language Bias

The language used is generally neutral, but terms like "the digital happening" and "nekslag" (meaning 'death blow') carry a somewhat dramatic tone. While evocative, these terms could be replaced with more neutral alternatives like "the advent of digital printing" or "significant impact." The article does use quotes and avoids overt value judgments.

3/5

Bias by Omission

The article focuses heavily on the decline of the printing industry in Meppel and the museum's struggle for survival, but omits broader economic factors contributing to the decline of the printing industry. While acknowledging the impact of digital printing and outsourcing to India, it doesn't discuss other potential reasons, such as automation or changes in global trade. This omission could lead readers to a simplified understanding of a complex issue.

2/5

False Dichotomy

The article presents a somewhat simplified narrative of the museum's near-closure and subsequent salvation by the BBB Drenthe party. While highlighting the party's support, it doesn't explore potential alternative sources of funding or solutions that could have saved the museum, suggesting a false dichotomy between the party's intervention and the museum's demise.

1/5

Gender Bias

The article features several male volunteers prominently, but also includes a female volunteer, Judith Christin de Klomp, who discusses her work with screen printing. While there's no overt gender bias, a more balanced representation of both male and female volunteers and their roles would enhance gender equity in the narrative.

Sustainable Development Goals

Industry, Innovation, and Infrastructure Negative
Direct Relevance

The decline of the printing industry in Meppel due to digitalization and outsourcing exemplifies challenges in adapting to technological advancements and maintaining local industries. The museum's struggle highlights the impact of industrial shifts on local economies and cultural heritage.