Fernández & Montañés: A Baroque Encounter

Fernández & Montañés: A Baroque Encounter

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Fernández & Montañés: A Baroque Encounter

An exhibition in Valladolid Cathedral showcases the Baroque sculptures of Gregorio Fernández and Juan Martínez Montañés, highlighting their styles and the religious context of their work.

Spanish
Spain
LifestyleSpainArtReligionSculptureBaroque
Fundación Las Edades Del HombreConsejería De Cultura De La Junta De Castilla Y LeónConferencia Episcopal
Gregorio FernándezJuan Martínez MontañésJesús Miguel PalomeroRené Jesús PayoAbilio Martínez
Which notable sculptures are included in the exhibition?
The exhibition includes iconic pieces like Fernández's 'Christ Tied to a Column' and 'The Descent from the Cross', and Montañés' 'Infant Jesus' and 'Penitent Saint Jerome'. It is located in Valladolid Cathedral and runs until March 2, 2025.
What is the main focus of the exhibition in Valladolid Cathedral?
The exhibition features about 70 pieces from Gregorio Fernández and Juan Martínez Montañés, showcasing their mastery of polychrome wood sculptures. It highlights the similarities and differences in their styles, reflecting the artistic landscape of 17th-century Spain.
What is a unique, non-artistic aspect mentioned about one of the sculptures?
Beyond the artistic merit, the exhibition has a unique aspect; viewing Martínez Montañés's 'Saint Christopher' supposedly protects against sudden death, adding a layer of mystical appeal to the display.
How do the Castilian and Andalusian styles of sculpture differ as shown in the exhibition?
The exhibition contrasts the Castilian and Andalusian schools of sculpture. Castilian works, like Fernández's, often feature a more 'sanguine' depiction of Christ's suffering, while Andalusian pieces, such as Montañés', tend to be more restrained.
What was the shared artistic goal of Fernández and Montañés regarding their depictions of Christ?
Both artists aimed to create beautiful and spiritually moving images of Christ, contrasting with the apocalyptic depictions prevalent during the time of widespread plagues. Their sculptures served as sources of devotion and comfort to the populace.