elpais.com
Met Opera Head Renews Contract, Highlights Ukraine Support Amidst Funding Challenges
Peter Gelb, general manager of the Metropolitan Opera, recently renewed his contract until 2027; his recent trip to Ukraine underscored the opera house's support for the country, while addressing challenges like post-pandemic viewership decline and securing private funding.
- What is Peter Gelb's perspective on the war in Ukraine, and how is this reflected in his actions and the Met Opera's initiatives?
- Peter Gelb, general manager of the Metropolitan Opera since 2006, recently renewed his contract until 2027. He recently visited Ukraine, witnessing the impact of the war firsthand and highlighting the parallels between the current conflict and the Blitz.
- What challenges does the Met Opera face in securing funding in the current economic climate, and how does Gelb's vision address these challenges?
- The Met Opera, under Gelb's leadership, is adapting to changing times. While the Met: Live in HD program has faced decreased viewership post-pandemic, Gelb emphasizes the importance of attracting both domestic and international audiences and securing private donations in a climate impacted by economic uncertainty and shifting philanthropic priorities.
- How has the Met Opera adapted its outreach strategies in response to the decreased viewership of its 'Live in HD' program and the impact of the pandemic?
- Gelb's commitment to Ukraine includes establishing the Ukrainian Freedom Orchestra with his wife and the director of the Polish National Opera. He also commissioned a new opera, "The Mothers of Kherson," about mothers rescuing children abducted by Russian forces. This commitment underscores his view of Ukraine as a crucial front in the fight for democracy.
Cognitive Concepts
Framing Bias
The framing consistently favors Gelb's perspective. Questions are generally open-ended, allowing Gelb to control the narrative. The headline and introduction highlight Gelb's long career and position, establishing him as an authoritative voice. The use of quotes emphasizes his strong opinions and actions. While intended to portray Gelb as a strong leader, it risks presenting an unbalanced view of the complexities involved.
Language Bias
Gelb uses strong language (e.g., "criminal invasion," "absolutely terrifying and repugnant") to describe his views, reflecting his personal opinions rather than neutral reporting. Words like "heroine" to describe his wife could be seen as subjective. Alternatives could include more neutral descriptions.
Bias by Omission
The article focuses heavily on Peter Gelb's opinions and actions, potentially omitting counterarguments or alternative perspectives on the issues discussed (e.g., the Ukrainian conflict, the return of Valery Gergiev, the financial challenges of the Met). The article doesn't explore the internal politics of the Met Opera or the perspectives of other key figures. While space constraints are a factor, a more balanced representation of viewpoints would strengthen the piece.
False Dichotomy
The interview presents a somewhat simplistic dichotomy between supporters and opponents of Ukraine, and between those who value cultural exchange and those who condemn Gergiev's actions. The nuances of the political and artistic landscapes are simplified.
Gender Bias
While Gelb's wife's achievements are mentioned, the focus remains primarily on Gelb's career and opinions. The article does not delve into gender representation within the Met Opera itself.
Sustainable Development Goals
Peter Gelb's actions in supporting Ukraine and condemning Russia's aggression directly contribute to peace and justice. His involvement with the Ukrainian Freedom Orchestra and commissioning of the opera "The Mothers of Kherson" demonstrate a commitment to supporting victims of conflict and promoting cultural resistance against oppression. His public condemnation of Valery Gergiev's return to the West further highlights his stance against those supporting the Russian regime.