zeit.de
Rising Concert Ticket Prices in Germany Due to Increased Costs
CTS Eventim CEO Klaus-Peter Schulenberg predicts rising concert ticket prices in Germany due to increased artist fees, venue costs, and post-pandemic personnel expenses, impacting consumer affordability.
- What are the long-term implications of rising concert ticket prices on the live music industry and its audience?
- The increased reliance of artists on touring revenue due to the decline in music sales, coupled with a competitive labor market, will likely sustain or accelerate the upward pressure on concert ticket prices. This could potentially lead to decreased attendance at live music events, particularly for budget-conscious consumers.
- How has the shift in revenue models for artists (from music sales to touring) contributed to rising concert costs?
- The rise in concert prices is a result of multiple factors, including significantly higher artist fees (especially for top performers who can command up to 75% of event profits), increased venue costs, and a 45% rise in personnel expenses since the pandemic. This cost increase reflects a tighter labor market, with many workers leaving the industry during lockdowns.
- What are the primary factors driving the increase in German concert ticket prices, and what is the immediate impact on consumers?
- Concert ticket prices in Germany are rising due to increased artist fees and higher operational costs, impacting consumers' ability to attend live music events. CTS Eventim, a leading ticket vendor, confirms this upward trend, citing a reversal in revenue streams where touring now surpasses music sales for many artists.
Cognitive Concepts
Framing Bias
The article frames the rising concert ticket prices primarily through the lens of the industry's challenges and the CEO's perspective. While it acknowledges high prices, it does so in a way that largely justifies them rather than critically examining their potential impact on affordability and accessibility for concertgoers. The headline itself (though not provided) likely reinforced this framing.
Language Bias
The language used is largely neutral but leans slightly towards presenting the rising prices as a justifiable consequence of market forces. Phrases like "kaum Spielraum" (little leeway) for organizers suggest a lack of agency in price setting. While the CEO expresses hope for "acceptable" price increases, the overall tone does not strongly challenge the inevitability of these increases. More balanced language would include acknowledging the burden that price increases place on consumers.
Bias by Omission
The article focuses heavily on the perspective of the CTS Eventim CEO, providing his rationale for rising concert ticket prices. Other perspectives, such as those of concertgoers or smaller event organizers, are missing. This omission limits the scope of understanding regarding the impact of rising prices on different stakeholders. While the CEO mentions artists' higher profit shares, it lacks details on the artists' perspective or the distribution of revenue across the various parties involved in a concert.
False Dichotomy
The article doesn't explicitly present a false dichotomy, but it implies a simple supply-and-demand explanation for rising prices. It overlooks the complex interplay of factors, such as inflation, economic conditions, and the inherent value placed on live experiences, that all contribute to the price increases. This simplistic framing can mislead readers into accepting the price hikes as an inevitable and solely market-driven phenomenon.
Sustainable Development Goals
The rising concert prices disproportionately affect lower-income individuals, limiting their access to cultural events and potentially exacerbating existing inequalities in society. This aligns with SDG 10, which aims to reduce inequality within and among countries.