
edition.cnn.com
Shift in Fashion Photography: From Studio to Home
Adam Murray's new book, "The Domestic Stage," explores the shift in fashion photography from studio settings to domestic spaces, driven by pandemic adaptations and a desire for authenticity.
- What are the potential future implications of this trend in fashion photography?
- The use of domestic spaces in fashion photography is likely to persist and even evolve. It may lead to new creative approaches, collaborations with individuals rather than professional models, and further integration of personal narratives into brand storytelling.
- How has the rise of reality TV and social media influenced this change in fashion photography?
- The popularity of reality TV, offering seemingly unvarnished glimpses into the lives of the wealthy, has fueled a desire for genuine, less-curated images, particularly among young audiences. Social media's blurring of public and private further reinforces this trend.
- What is the primary impact of the shift from traditional studio settings to domestic locations in fashion photography?
- The shift has normalized the use of homes as shooting locations, making images captured in private settings equally valid. This change reflects a move in fashion marketing towards relatability and authenticity, showcasing everyday moments and normalizing flaws.
Cognitive Concepts
Framing Bias
The article presents a balanced view of the shift in fashion photography locations, showcasing both the benefits of using domestic spaces (increased authenticity, relatability, and creative opportunities) and the potential for artificiality and construction within these settings. The author presents various perspectives from photographers and brands, avoiding strong endorsements of one viewpoint over another. The inclusion of examples from both high-end brands (Dior, Bottega Veneta) and independent photographers (Joyce Ng, Rachel Fleminger Hudson) provides a comprehensive picture.
Language Bias
The language used is largely neutral and objective. The author employs descriptive terms like "intimate," "authentic," and "real," but these are used to describe the observed trends rather than to express a personal opinion. There's no use of loaded or emotionally charged language.
Bias by Omission
While the article provides a thorough exploration of the shift towards domestic spaces in fashion photography, one potential omission is a detailed discussion of the ethical considerations involved. For instance, the article could have further explored issues around consent, privacy, and potential exploitation of models and their homes. Additionally, a deeper dive into the economic implications of this shift for photographers, models, and brands could have enriched the analysis.
Sustainable Development Goals
The article discusses a shift in fashion photography towards more authentic and relatable imagery, often shot in domestic settings. This move challenges the unsustainable practices of overly produced and artificial fashion campaigns, promoting a more responsible and sustainable approach to consumption. By showcasing everyday moments and normalizing flaws, the shift encourages consumers to value authenticity over unattainable glamour, thus impacting consumption patterns and reducing waste associated with unrealistic beauty standards. The use of existing domestic spaces reduces the need for elaborate and wasteful studio sets.