theguardian.com
Southbank Centre Takeover by French Dance Collective (La)Horde: A Review
French dance collective (La)Horde's takeover of the Southbank Centre featured 80 performers in a three-hour event across the complex's buildings, using film, live performances, and various dance styles to depict a troubling portrayal of Gen Z's disconnection and apathy.
- How does (La)Horde's use of dance styles contribute to the overall message?
- The collective uniquely repurposes various dance forms, such as Grime Ballet (combining grime music and pointe shoes), techno lindy hop, and jumpstyle, to express the blend of disparate cultural influences and technological immersion that characterizes Gen Z's experience. This eclectic mix reflects the fragmented and often superficial nature of online life.
- What is the central theme or message conveyed by (La)Horde's performance at the Southbank Centre?
- The performance critiques Gen Z's alienation and disconnection from society, symbolized by themes of joyless sex, aloofness, sadness, and excessive screen engagement. The collective uses various dance styles to portray this pervasive apathy, culminating in a final, energetic performance offering a contrasting tone.
- What are the potential long-term implications or interpretations of (La)Horde's portrayal of Gen Z?
- The performance's portrayal of Gen Z's detachment and emotional numbness raises concerns about the effects of technology and social media on youth. It suggests a growing disconnect from genuine human interaction and a potential for widespread apathy towards societal engagement, warranting further exploration of these implications.
Cognitive Concepts
Framing Bias
The review presents a largely positive assessment of (La)Horde's performance. While acknowledging some negative aspects such as the "troubling depiction of Gen Z" and the "shallow" nature of the event's format, the overall tone is celebratory, praising the collective's creativity and innovative approach to dance. The opening description, although setting a somewhat bleak tone, ultimately serves to highlight the contrast with the vibrant and exciting nature of the performance itself. The focus remains on the artistic merit and impact of the show.
Language Bias
The language used is generally descriptive and avoids overtly loaded terms. However, words like "blank-faced," "eerie disconnect," "joyless sex," and "troubling depiction" carry negative connotations. The description of Gen Z as "troubling" could be considered biased, although it's presented as an observation rather than a judgment. Neutral alternatives could include: instead of "blank-faced" use "expressionless," instead of "eerie disconnect" use "sense of detachment," instead of "joyless sex" use "depictions of intimacy," and instead of "troubling depiction" use "unconventional portrayal.
Bias by Omission
The review focuses heavily on the artistic aspects of the performance and doesn't delve into potential political or social criticisms that the performance itself may be making. The review mentions the overtly political nature of the intro but doesn't explore this theme in detail. Further analysis of the political messages and their reception might provide a more complete picture. This omission may be due to space constraints or a focus on the artistic merit, rather than an intentional bias.
Sustainable Development Goals
The performance art piece by (La)Horde reflects on societal issues, including potential inequalities and disconnections within Gen Z, prompting reflection and discussion, which can indirectly contribute to addressing such issues. The diverse range of dance styles and dancers from various backgrounds also subtly promotes inclusivity.