
faz.net
Stockholm's Market Art Fair Showcases Nordic Modernism and Global Anxieties
The Market Art Fair in Stockholm, from September 28th to October 1st, features 52 galleries showcasing contemporary Scandinavian art, including works by Inuuteq Storch reflecting Greenlandic life and geopolitical anxieties, and pieces by established Nordic modernists alongside newer talents, highlighting regional identity within a global context.
- What is the Market Art Fair's significance in showcasing contemporary Scandinavian art and its global impact?
- The Market Art Fair in Stockholm showcases contemporary Scandinavian art, highlighting the enduring legacy of Nordic modernism. A key piece is Niklas Delin's "Die Sonne," priced at €18,500, while Inuuteq Storch's photographs (€8,500 each) depict Greenlandic life and the impact of Danish colonialism, expressing anxieties about potential travel restrictions to his New York exhibition.
- How does the fair reflect the interplay between regional identity and broader global concerns, using specific examples?
- The fair reflects a blend of regional identity and global concerns. Inuuteq Storch's work exemplifies anxieties surrounding geopolitical instability and its impact on artists, contrasting with the more established legacy of Nordic modernism represented by artists like Nell Walden and Hilma af Klint. The inclusion of a piece by Aki Turunen, with proceeds benefiting Human Rights Watch, further underscores the fair's engagement with broader social issues.
- What future trends or implications can be observed regarding the evolving artistic landscape in Scandinavia, given the fair's expansion and inclusion of international galleries?
- The Market Art Fair's expansion, almost doubling its exhibitors in recent years to 52, signals a shift beyond its initial Nordic focus. The inclusion of international galleries, such as Company Gallery from New York, indicates a growing global interest in Scandinavian art and a broadening of artistic perspectives. The juxtaposition of established and emerging artists highlights both historical achievements and contemporary anxieties within the Nordic art world.
Cognitive Concepts
Framing Bias
The article's framing emphasizes the rediscovery of overlooked artists (like Iria Leino) and the challenges faced by artists such as Inuuteq Storch, giving a nuanced perspective. However, the positive framing of the Market Art Fair itself might overshadow any potential criticisms.
Language Bias
The language used is largely neutral and descriptive. There is some positive framing around certain artists and artworks, but this doesn't cross into overtly biased or loaded language.
Bias by Omission
The article focuses primarily on the Market Art Fair and specific artworks, potentially omitting broader contextual information about the current state of Scandinavian modern art or the global art market. While this is likely due to space constraints, the limited scope might prevent readers from gaining a fully comprehensive understanding of the subject.
Sustainable Development Goals
The Market Art Fair's initiative to donate proceeds from an Aki Turunen painting to Human Rights Watch directly contributes to reducing inequality by supporting human rights advocacy and potentially funding projects that address socioeconomic disparities. The fair also highlights artists from diverse backgrounds, including Inuuteq Storch, whose work addresses the impacts of colonialism on Greenlandic communities, indirectly contributing to raising awareness of and addressing systemic inequalities.