theguardian.com
Streaming Pick of the Week: September 21-27
This week's streaming highlights include a Jessica Chastain thriller about online extremism, a Steven Knight drama on the Guinness family, and Sylvester Stallone's return in Tulsa King, alongside other diverse offerings.
- What are the key themes and storylines of the most noteworthy new streaming releases this week?
- The week's releases explore diverse themes. "The Savant" starring Jessica Chastain tackles online extremism and the duality of online and real-life identities. "House of Guinness" delves into family conflict, Irish republicanism, and the aftermath of Benjamin Guinness's death in 1868. "Tulsa King" continues Sylvester Stallone's crime drama with Dwight Manfredi facing new threats.
- Which shows offer unique perspectives or settings, and how do these contribute to their overall appeal?
- The Savant" provides a timely and relevant perspective on online extremism, contrasting the online and offline lives of its characters. "House of Guinness" uses a lavish period setting and intricate storytelling to explore themes of family and political turmoil in 19th century Ireland. "Sneaker Wars: Adidas vs Puma" offers a unique look into the competitive rivalry and history of two iconic brands.
- What are the potential impacts or lasting impressions of these releases, considering their themes and target audiences?
- The Savant" could raise awareness about online radicalization and its real-world consequences. "House of Guinness" may appeal to fans of period dramas and those interested in family sagas and Irish history. The continued success of "Tulsa King" may solidify Stallone's presence in the streaming landscape, and "Sneaker Wars" could appeal to those interested in fashion and history.
Cognitive Concepts
Framing Bias
The review appears to prioritize plot summaries and star power over in-depth critical analysis of the shows' themes, narratives, or production qualities. For example, the descriptions focus heavily on actors and genre elements (e.g., "explosive thriller," "stylish violence") rather than providing nuanced commentary on the shows' merit.
Language Bias
The language used is generally descriptive, but some words (e.g., "explosive," "grimly relevant," "dissolute") carry a subjective connotation that could influence reader perception. More neutral language could enhance objectivity. For example, instead of "explosive thriller," one could write "thriller with high stakes.
Bias by Omission
The reviews omit discussion of specific directorial choices, cinematography, or musical scores, which are important aspects of television production and impact viewing experience. A deeper exploration of these elements could provide more complete critical analysis. Similarly, the cultural or societal impact of each series is largely absent from the analysis.
Sustainable Development Goals
The show depicts the fight against far-right terrorists, which directly relates to SDG 16, Peace, Justice and Strong Institutions. By showcasing the efforts to combat extremism and terrorism, the show raises awareness and highlights the importance of strong institutions in maintaining peace and security.