Tarantino Ranks His Films, Scraps 'The Movie Critic'

Tarantino Ranks His Films, Scraps 'The Movie Critic'

theguardian.com

Tarantino Ranks His Films, Scraps 'The Movie Critic'

Quentin Tarantino, in a recent podcast interview, declared "Inglourious Basterds" his best film, "Once Upon a Time... in Hollywood" his favorite, and "Kill Bill" the one he was "born to make", abandoning his planned film "The Movie Critic" due to its similarity to past works.

English
United Kingdom
Arts And CultureEntertainmentHollywoodFilmCinemaQuentin TarantinoKill BillInglourious BasterdsOnce Upon A Time In Hollywood
Netflix
Quentin TarantinoLeonardo DicaprioBrad PittDavid Fincher
What are Tarantino's assessments of his own films, and what do these assessments reveal about his creative priorities and evolution?
Quentin Tarantino, in a recent podcast interview, declared "Inglourious Basterds" as his best film, "Once Upon a Time… in Hollywood" as his favorite, and "Kill Bill" as the one he was "born to make". He cited strong scripts for "Inglourious Basterds", "The Hateful Eight", and "Once Upon a Time… in Hollywood".
Why did Tarantino choose to abandon his planned film "The Movie Critic", and what does this decision signify for his future creative endeavors?
Tarantino's choices highlight his evolution as a director, from the visceral action of "Kill Bill" to the nuanced storytelling of "Inglourious Basterds" and the nostalgic charm of "Once Upon a Time… in Hollywood". His preference for "Inglourious Basterds"' script suggests a focus on narrative structure, while his favorite status of "Once Upon a Time… in Hollywood" reveals a personal connection to the film's themes.
What are the potential implications of Tarantino's desire to avoid repetition and explore uncharted territory in his final film, and how might this impact his legacy as a filmmaker?
Tarantino's decision to abandon "The Movie Critic" due to its similarity to his previous work underscores his commitment to exploring uncharted creative territory in his final film. The rejection of a sequel also signals a desire to avoid repetition and pursue a fresh, innovative project for his tenth and final film. This suggests a deliberate attempt to end his career on a high note, leaving a lasting impact.

Cognitive Concepts

4/5

Framing Bias

The narrative is structured around Tarantino's opinions, framing his preferences as definitive judgments of his films' quality. The headline itself, 'Quentin Tarantino reveals his best movie', sets this biased framing. His subjective opinions are presented as objective facts, potentially influencing the reader's perception.

2/5

Language Bias

The language used is generally neutral, using direct quotes from Tarantino. However, the framing of the article uses phrases like "best movie" and "masterpiece," which are subjective claims presented as fact. These terms lend a positive bias to the narrative. While not explicitly loaded, they contribute to a biased overall tone.

3/5

Bias by Omission

The analysis focuses heavily on Tarantino's opinions and choices, potentially omitting other perspectives on which film is best. Counterarguments or critical reviews of his films are absent. This omission might limit the reader's ability to form a fully informed opinion independent of Tarantino's preferences.

2/5

False Dichotomy

The article presents a false dichotomy by framing the discussion as a choice between Tarantino's 'best' film and his 'favorite' film, without acknowledging the possibility of different criteria for evaluating cinematic excellence. While he does mention Kill Bill as the ultimate Quentin Tarantino film, implying a different kind of 'best', this nuance is not fully explored.

1/5

Gender Bias

The article focuses primarily on Tarantino's opinions and choices, with minimal discussion of other individuals' involvement. While there is mention of actors Leonardo DiCaprio and Brad Pitt, their contributions are secondary to Tarantino's assessment of his own work. There are no gendered imbalances in the described narrative.