smh.com.au
Wicked: For Good" Trailer Reveals Darker Tone, New Songs, and Expanded Role for Dorothy
Wicked: For Good," the sequel to the hit musical film, will be released on November 21st, exploring darker themes and featuring new songs, while incorporating Dorothy and Toto more prominently in a darker adaptation of the story, hinting at plot deviations from the original.
- What are the key plot points and thematic shifts in "Wicked: For Good" compared to the first film and the original musical?
- Wicked: For Good," the sequel to the Oscar-winning "Wicked: Part I," will be released on November 21st and delves into darker themes like prejudice and corruption, featuring new songs by Stephen Schwartz. The trailer showcases a darker tone than its predecessor, highlighting Elphaba's conflict with the Wizard and her relationship with Glinda, who is shown in a wedding dress, hinting at a possible plot deviation from the original.
- How does the sequel expand on the relationship between Elphaba and Glinda, and what role does Dorothy play in this new narrative?
- The film explores the backstory to "The Wizard of Oz," incorporating Dorothy and Toto more prominently. The trailer's darker tone reflects the film's exploration of heavier themes, contrasting with the first film's brighter tone. This shift aligns with director Jon M. Chu's statement that the sequel is where "our childhood dreams collide with our adult selves.
- What are the potential implications of the darker tone and altered plot points for the "Wicked" franchise's future and audience reception?
- The inclusion of new songs and a darker, more complex narrative suggests a potential shift in the franchise's direction, moving away from the musical's original lightheartedness towards a more mature and nuanced exploration of its source material. The wedding scene, while possibly a dream sequence, hints at significant alterations to the plot, promising a departure from audience expectations based on the musical.
Cognitive Concepts
Framing Bias
The framing is overwhelmingly positive, highlighting the anticipation and excitement surrounding the film's release. The inclusion of quotes emphasizing the sequel's importance and the director's enthusiastic comments contributes to this positive framing. The headline itself, "Look out Ozians, the witch is back," uses playful language to generate excitement.
Language Bias
The language used is largely enthusiastic and positive, using words like "champing at the bit" and "powerful solos." While this creates excitement, it lacks the neutral tone of objective reporting. For instance, describing the first film as an "Academy Award-winning" film without mentioning which awards may be interpreted as a positive bias.
Bias by Omission
The article focuses heavily on the plot and characters of the movie, but omits any discussion of potential negative critical reception or box office projections. It also doesn't mention any potential controversies surrounding the film's production or marketing.
False Dichotomy
The article presents a somewhat simplistic dichotomy between the "darker" tone of the sequel and the "green and pink singing extravaganza" of the first film. The reality is likely more nuanced.
Gender Bias
The article focuses primarily on the female leads, Elphaba and Glinda, and their relationship, which isn't inherently biased. However, there's no explicit mention of the contributions of male actors or behind-the-scenes personnel. This omission could be interpreted as a subtle form of bias by omission.
Sustainable Development Goals
The movie promotes critical thinking by presenting complex themes such as prejudice, government corruption, and propaganda, encouraging viewers to question narratives and power structures. It also highlights the importance of friendship and personal growth, indirectly supporting educational goals of social-emotional learning.